Sweet Storm

Final Preview

2009-06-17T00:57:00.003-04:00

Howdy,

Tonight was the final preview. The play is now handed over to the actors and Jessica, our stage manager, to maintain and support it's growth. Scott and I will be around during the run. But it is a goodbye to a phase of the work. The work continues. It continues for the entire run. As a matter of fact as I put the key into my apartment door a thought struck me about clarifying an overall intention of one of the characters. I know I will be looking at this thought during tomorrow's run. If it is valuable I will share it with the actors. My thoughts are on the end of the process because it clearly shifts tomorrow.

First, I want to talk about tonight. Jamie D. and Eric T. carried yesterday's excellent work into tonight's performance. More consistent. A couple of 'intense' moments that need to be more specific and couple of casual moments that need to have the right fuel under them. Overall though the work is done with a 'conscious spontaneity'. It has it. And my goal for the actors is to keep that spirit of the work while utilizing the run of the play to continue to craft their performances. I see it happening now.

This blog has been to track the development process. I will probably blog tomorrow. The play will continue to develop after opening. For now though, the rehearsal process is over and it seems the right time that it has been an honor to work on this play with all of the very committed and generous artists. Scott, Eric T, Jamie D, Lea, Sarah, Betsy, Jessica, Bob, Marieke, Alchemy, LAByrinth, Keenan, Jayme, Kate, Martin, David, Lauren, Becky, Dan, Leah, Irv, Kohl, Barrett, Jewdee, and all. This play and production will hold a special place in my heart forever. What makes Sweet Storm truly special to me is that it is absent of cynicism. And it seems to have had a similar effect to all of the artists that have engaged in the process of developing this play. Each of them has brought themselves fully to the process and I know because of it I am leaving this process a better artist. Thank you.

Goodnight,

Padraic

True Development

2009-06-16T02:19:00.003-04:00

Howdy,

The performances took a leap today. I think I've said that before, it is unfair to say it took a leap, they took flight. That is more accurate. Before rehearsal today I talked with Scott, and Andrea Haring about warming up, and the purpose of it, and they both spoke about the intention of warming up just prior to the show is about becoming open, relaxed, connected to the material in order to create 'conscious spontaneity'. I came to rehearsal only to discover that both Jamie D. and Eric T. on their own had been thinking about their warm up process. I shared with them the idea of taking advantage of being with each other, talk about the play, run lines, - connect with one another. Andrea's suggestion was to also warm up in the space. To take advantage of the opportunity of their connection to the world of the play. And, that is what they did before the show tonight. And they were both really there for the 'first' time, hearing, reacting, being for the 'first' time. They allowed themselves to not 'control' or manifest the performance. And I was proud. There were some stakes dropped and the new is goal to keep the freedom of performance while working toward 'conscious spontaneity' with the deep emotional connection.

To be perfectly honest the work of directing the play is done. We've discovered the shape, the needs, the event of the play. The technical elements are complete. It is now moving back to development. The development of two very talented artists. I remember hearing when I was studying acting and just becoming a director that it takes 20 years to become an actor. I don't know if that number is random or not but now that I'm entering my 20th year as a professional director I believe the statement to be true. Eric and Jamie have a wonderful opportunity to continue to grow, find out the best way to work, and push beyond past limitations to reach the next level of their artistry. I have complete faith. Tonight I saw them exit a cocoon and fly. There may be fear about how far from home they want to journey, but after tonight I know that the cocoon will no longer serve them. I'm very excited to watch them take flight together.

Goodnight,

Padraic

TwoDay

2009-06-15T01:30:00.002-04:00

Howdy,

Today was a two show day. A two day show during previews after tech is really a test of stamina. The job of the actor is to do it for the 'first' time after doing it for the longest work week there is, following a show earlier that day. What was clear is that the foundation of the play is strong. The matinee was very strong. With flashes of inspiration. Very strong. And The evening show, was the play. The play is good, the energy was a bit low, and it is hard to watch as a director. It's a good show. It was better earlier. And the difference is subtle - probably only you and playwright are aware of the difference. And what I took away from the second show today was the prep, mental and physical, required for the run of the show.

I had a great conversation with Scott today between shows about the commitment it takes to be a great artist. Something he said really struck me and that is - The commitment it takes to be a great artist is going to cost you. - Cost you some socializing time, cost you in how you are able to talk about the work, cost you in how you are perceived. There is a cost. And I understand that because working with two actors on a play they really care about, watching them grow and try to push through barriers of their own to serve the play best as possible, it really is work. And it is also illuminating in how critical preparation is for the work. And when you are expected to do something nine days in row, that preparation is not something that is done at the theater. It begins when the show is over, when you go home, how you treat yourself all day prior to arriving at the theater. It is a discipline.

And tomorrow, we do it again. Only once. But again as if for the 'first' time.

Goodnight,

Padraic

Happy Birthday Scott Hudson

2009-06-14T02:07:00.003-04:00

Howdy,

Today is, was, Scott Hudson's birthday. And the gift he received from the cast and myself was implementing the realizations of last night. He also got a card and some cake. But the real gift is the willingness of Eric T. and Jamie D. to fully commit to taking the work to the next level and eagerness to refocus, or maybe strengthen the focus of the work. They did a great job tonight. And, there is a vocabulary and grounding in the essence of the play that leads me to believe they will continue to grow on in this direction.

It is, was, also Monique's birthday today - she took beautiful production shots of the play. This is but one of them.

Implementing the change this evening, though it seemed like a major refocusing was really possible because Scott, Eric T., Jamie D and myself had already done the detailed homework. And they could now let go and just experience the event of the play - which they did.

There are two shows tomorrow, no rehearsal between, I look forward to them having an opportunity to keep working back to back.

Goodnight,

Padraic

The Greatest Team on earth

2009-06-13T03:00:00.002-04:00

Howdy,

Anyone who knows me would think that with the title of the email it would be focusing on the Yankees beating the Mets. No. The greatest team on earth is Sarah, Betsy, Lea, and Jessica.

Tonight's run was a disappointment. A disappointment because it lacked the energy, stakes, moment to moment work that is cliche for second previews. It is a disappointment when you see the trap coming and still walk right into it. The audience saw a fine play. I believe they enjoyed it. I did not.

Then I went out to eat with the designers and Jessica and was challenged about what the play is about. What the event of the play is. What is the fundamental experience the characters are going through and why is it vital for us to watch? Those were the questions on my notes tonight for the actors. But with truly intelligent questions and challenges of choices in the rehearsal process from Sarah, Lea, and Betsy I was able to clearly identify the work that needs to occur over the next couple of days.

The experience has been expressed in notes. But it really has to be grounded in work the next couple of days. The play lives in the two lovers being left alone together and discovering each other and themselves, and learning if they are capable of being loved and loving one another. The foundation of that experience is the essence of the play. That is it. Previews can be painful because you think you did that in the rehearsal room, not until you are in front of an audience and see where actors retreat to when tired that you learn clearly that the foundation is not as deep as you thought. This is not a criticism of the actors. It is an enlightenment - and push from Lea, Betsy, and Sarah to dig deeper. And for that push, I am most grateful.

Goodnight,

Padraic

Preview #1

2009-06-12T01:50:00.002-04:00

Howdy,

First preview and it went really well. Still searching for the final ending moment - how do you get the wind to stop, can't blow it away with wind, can you? We'll find it tomorrow. I feel like I want to write about courage a lot when I think of the work people are doing. We made a major lighting change between the afternoon run thru and the evening performance. Lea has transformed the set through details added in the last 30 hours. Betsy is pushing the the details of story telling just write and we are filling out the play nicely. And Scott is amazingly present for all details in the show including how to help support and guide the actors to more specific work.

Jamie D. and Eric T. knocked it out of the park. Really private intimate work. Honest and in line with all of our work. Had the security of having been working for a while. I look forward to how far the play will grow.

A lovely audience. Thanks to all that showed up tonight.

Look forward to fine tuning and watching the work develop.

Goodnight,

Padraic

Trust

2009-06-11T01:09:00.002-04:00

Howdy,

We had a full day of tech today. We got through most of the play. Well we got through all of the play but there are about four sections we have to look at again tomorrow before a final run through before our first preview. It is always most challenging to get into and out of a play. What I was struck with today is how much trust of fellow artists is critical at this part of the process. There is a huge amount of work going into putting everything together in the days of tech and then in previews. All of the plans are coming together, actors are dealing with a lot of information that effect their performances. Everyone is in the room together and giving input to each other about the work. Well, what I realized as I worked all day is that I trust everyone in the room. I have worked with each of them now many times, or on this project for over a year, and I know if something isn't 'right' or could be better - they will put their efforts toward making it so. I trust all of them fully. That is the joy of being in a room creating something, knowing that everyone working with you is excellent at what they do and will do what ever they can to the best of their abilities.

Trust hit me because as Scott and I walked home from the theater tonight. We both were expressing how we were comfortable with the fact that our first preview is tomorrow. Not over nervous, certainly not cocky. Trusting. That is how we felt. Trusting that people will come and bring the energy of support and that all of the artists will continue to grow in our work.

Speaking of work tomorrow is two different experiences. First it is time to continue working, detailing what we think might work best for the play. Then the experience of sharing the work with the public, and then the work will never be the same because we will have feedback from a live audience's response. They will become our new trusted collaborators.

Goodnight,

Padraic

Day ahead

2009-06-10T00:38:00.002-04:00

Howdy,

We had a rare treat today. The actors were able to be in the theater a day in advance to rehearse. Working out details for where props go. The sound quality of the theater. And working out the reality of making the 'trap' door work. Qui came in and gave a great creative idea for it - it now works and serves the play better.

Having the theater a day in advance gave Sarah and Betsy a chance to lay in some cues for the show - not specific but to get the idea in place. We will be ahead of the game tomorrow, I believe. The theatrical tree looks fascinating. The camo-netting (something I did not know existed or how it works until this show) is an amazing solutions for willowy leaves. There is no borders or masking until beyond the treehouse. It is a very exposed playing area - and it seems to be working very well.

There are theatrical elements - the tree for example, and very real things, like an old chair and trunk, and then there are things that combine both, like a quilt that needs to be aged. There is a delicate dance to figuring out how to combine all of these elements to best present the play. Lea shared a great thought today. It was, the setting of the play has to do with the cumulative effect you want to have when examining the entire story of the play.

That is important to remember as you slowly put a play together on beat at a time in tech rehearsal. I'm hoping to remain open to the whole story, the input of all involved, and the details of every moment in the play.

Goodnight,

Padraic

Loaded

2009-06-09T00:45:00.002-04:00

Howdy,

I stopped by the theater and saw lights in the air and the set on stage. It's looking great. Already cleaning things up - like the minimal masking. Focus is tonight. Sound is later tonight. And then tomorrow we begin rehearsing in the theater. Tech officially begins Wednesday. Tuesday is for the actors to get used to the sound in the theater, for some spacing on the set, and addressing some sight line issues. It looks great - out of respect for the element of surprise I will try to refrain from posting a picture of the set before it is performed for an audience.

The next week. With technical rehearsals and previews will be very busy and I will want to blog about the experience. However, I want to take this opportunity to say thank you to Trevor Brown. Trevor was the marketing director for LAByrinth Theater that first asked me to blog about the development process last year when were at The Public. It has been very helpful to share the development process with everyone. This has helped to articulate thoughts about the play, to crystalize what is needed next, and to create a sense of community for the play. This play - maybe every play, is a communal event. Knowing that people are invested in the process and the success and growth of the play helps in some undefinable way to strengthen, empower, elevate the love, bond, and desires of Bo of Ruthie. As they enter the tree house all of you that have followed the blog go with them celebrating their happiness, empathizing with their pains, and rooting for their love to be fully realized. A play grows beyond craft of a team of artists and fully blossoms into an experience a community baring witness to one or more people attempting to overcome obstacles to achieve some thing vital. Thank you Trevor for thinking it might be interesting or valuable for people to bare witness to all of us trying to overcome every obstacle to achieve this production of Sweet Storm.

Goodnight,

Padraic

Time to move

2009-06-08T00:31:00.002-04:00

Howdy,

Last night I was nostalgic for our time together in the rehearsal room before we even left. After today's rehearsal it was clear that it is time to move to the theater. Eric T. and Jamie D. had a great run through. Demonstrating the knowledge of the play, capturing the inner storm, and the love for and between each other. However, Scott and I saw clearly what was missing. Always pushing for more. Most time the last run in the room is a confidence builder. "we're ready." Well, they are ready. But today's focus on what elevates the play. Afterward, Scott and I talked with each other about what is the next level we need to see the performances at as we enter tech. Then I tactless talked about that with the actors during notes. Probably not the best for morale. Definitely attention grabbing.

After rehearsal we had a cast and production team dinner planned. After a couple of hours off we gathered at the restaurant, it was then the actors said it was good to hear the notes. They wanted praise but appreciated the honesty. I got to apologize for my clumsiness and we all committed to the next level of work. It is time to leave the rehearsal room. Time to get into the space for presentation. And it is not our last time together. This experience will connect Jamie D, Eric T. Scott Hudson, and myself for a very long time. I am sure.

Oh, and thanks for the comments on yesterday's post. Both of them were very affirming for the work we are doing. Valerie's questions were those that I spoke about at the end of rehearsal today and why this play is an honor to work on, and exciting to present.

Tomorrow I go to the theater to see all the tech loaded in.

Goodnight,

Padraic

First things Nerf

2009-06-07T02:40:00.003-04:00

Howdy,

Today's rehearsal began with Dunkin Donuts and a Nerf football. Feed the soul and create a safe environment in which to play. That is the goal of rehearsal, at least today. The atmosphere was playfully productive. A little catch. Dialect warm up. And a run.

At the end of the run. The element that was missing, slightly, is the scope of the 'event'. The Honeymoon in a treehouse. The size of that and what it means to each character. As the actors become more familiar with the events of the play, it seems only natural to find fascination - as I do watching each day in the new details, details the character may not actually be aware of in the moment because it is the first time they are in a treehouse with the person they love. It is very challenging to keep that first time, true first time, presence of experiencing something for the first time, fresh.

After the run, I went back and reviewed three sections of the play remembering what the discovery was of the 'stakes' and action, the first time we did the scenes - back at The Public. Not to duplicate them, but to re-examine the impulse. Those three scenes re-connected us with the essence of being in the 'event' for the first time.

I think Eric T. kept expecting some exercise for actors with the Nerf. I just brought it to remind me to keep the room light and playful. Mission accomplished.

Tomorrow is the last day in the rehearsal room. There will be a run-through of the play. Some notes. Looking at any sections that will help ground their work before we enter tech. It is absolutely time to move into the theater. However, I will miss the safe, private time I have had with Scott, Jessica, Eric T., and Jamie D. It is an honor to live in and care for the world of this play with them. I look forward to expanding that world, however, I have to acknowledge I will miss this time together.

Goodnight,

Padraic

Play

2009-06-06T00:34:00.003-04:00

Howdy,

There are two days left in the rehearsal room. We have rehearsed the play 70 hours. For the workshop last time we rehearsed 75 hours total, including tech...and possibly the run. So we have practically matched that effort. And the actors know the play and characters better. Yesterday was a huge leap in the capacity of the storytelling. Today, we fell from that leap. That thing that had the work come crashing down, or falling down, is that we forgot that doing a play is fun. It is play. The joy of these characters are that they are Characters - with dialects and intellects different than our own. Not that those elements weren't present but the joy of embodying them seemed to be missing. So, we spent the last half hour of rehearsal heightening those elements, celebrating, and having fun. It is in there. They just have to own it. It is hard. There comes a point when a play has to be shared with a fresh audience. The actors are doing something as if for the first time, but it is necessary to add a new fresh energy to the room, usually the audience, maybe the technical elements; I don't think Scott and I provided that today. Funny how we need to bring an energy to receiving the work, which is as important to the actors as their energy in sharing the work. At least at this point it is.

I'm looking forward to having fun tomorrow. Working a few moments then moving onto a run-thru, celebrating Ruthie, Bo, and their romance.

Goodnight,

Padraic

Courage

2009-06-05T02:19:00.003-04:00

Howdy,

First off, we welcomed Jayme, our newest P.A. to the rehearsal room. She worked on UNCONDITIONAL, and WINTER PARTY, with LAByrinth and we are happy to have her in the room.

Yesterday, Bob Saxner came to the run through. We had a brief discussion about some larger notes. And my experience with the play told me why some observations wouldn't serve the play. The questions that made most nervous were the ones that I didn't know how they would serve the play. It made me nervous because it would change things. Dramatically. It would change blocking, sure, it would also change the risk the two characters take in the scene. It would change the depth of their experience. I like risk and depth - but what if it threw off the balance of the play?

It didn't. Scott's play can hold all levels of honest experience.

The actors were ready and excited about these moments of exploration. All of the work we had done to this point prepared them emotionally to experience these changes with the depth and reality that Bob saw...and is in the play. It was some simple blocking changes, with internal shifts expected. If we had done this work (changed blocking) without the other exploration, I don't think the element of 'danger' would've been fully appreciated. The play got more dangerous today. And the actors proved to be courageous in their approach to the work and the play.

Shaking it up was so good for me. The play showed me another color today. That is critical as we go into tech - because up until now I've been dreaming we'd be sharing this work as it is in the rehearsal room. Today's growth got me excited for the details and growth that the design elements can provide.

Two big pieces of news:

The bedpan showed up today. And The poster is up at Theater Row. Both were lovely to see. And good signs that we are getting closer and ready for an audience.

Goodnight,

Padraic

What if...?

2009-06-04T00:22:00.002-04:00

Howdy,

Today we did our second run through for designers and Alchemy's A.D. Bob Saxner. What a difference a week makes. The actors were deeply and intimately connected. I got great notes from Bob after the run. Some of them were about 'how far, or ugly, can we push these characters?' It was a great question to ask. I can honestly say that we've seen that in the process in development and it doesn't fully serve the play. However, his point was good, to not let the actors back away from uglier moments...which they are finding. The reason we can ask and examine these questions is because the work is very solid. Now there is an impulse to challenge the hypothesis of the rehearsal process. Not because it's not working but because it is. There is a week before the first preview and we are in position to ask 'can we make it better?', 'how far can we stretch this story?'

Those are the questions I want to be asking. I'm going to explore all of that tomorrow, as well as discovering new questions.

Goodnight,

Padraic

Welcome back

2009-06-02T23:25:00.004-04:00

Howdy,

Kate Rafey joined the team officially today. Or I should say returned to the play from Clark. She was the amazing stage manager from the work up there and now is the ASM on this production. Glad you are here. And so are Jamie D. and Eric T. I'm sure they appreciated their line notes very much.

After three successive days off it was lovely to be back in the room. The plan of taking the days off went exactly as planned. The production team, Jessica, Scott, and I caught up on our lives a bit and were very relaxed. Eric T. and Jamie D. thought hard about the play and came to a place of ease with their relationship. And, that ease tended to drop the stakes to as low as possible. All part of the plan. If they came back two steps forward instead of one step back we'd be in huge trouble. Instead, they deepened their stage relationship, though the stakes were lower the relationship was stronger. Stakes will be back by tomorrow. One step backward is necessary to take a leap forward.

I understand the stakes getting lower in my own confession I missed being in the room for three days. I wanted to hang out and talk. I mean, the details of the work is tiring and I mean seriously, after this week we're in the theater with design and production concerns, and then an audience, and there is very little time left to enjoy the truly intimate process. I can tell in my comments to Lea about the set and props that I'm a little fearful of moving from rehearsal room - I love our intimacy. There is safety in that...it is now time to raise the stakes for me as well and start to ensure that there is an awareness of the story we are telling the audience...so when they join us it is equally as intimate an experience for them.

Goodnight,

Padraic

... grow fonder

2009-06-01T11:16:00.002-04:00

Howdy,

We took two days off from rehearsal. We're not back until tomorrow. I spent Saturday running the Brooklyn Half Marathon, talking the first half of the 13.1 mile race talking about the play. The process, the growth of the actors. How special it is to go through development with the same team...and like a long run, how important it is to pace ourselves. We needed the time off because otherwise we would've peaked at mile nine and been lagging in slowly to the finish line. Which isn't exactly true, the finish line is not Opening night...it is a new part of the process. A new energy enters into the experience. I will write about that more toward Opening I'm sure. But there is something dangerous to be fully ready for tech a week in advance. It is my hope that the time off gives Jamie D. and Eric T. time to deepen/own the text notes from Andrea and a little excitement for the week to come.

The second half of the long run, I tried to listen to my friend Aaron talk about his trip to Europe. Something happens when I run long distances...I get very annoyed at my inability to listen, and focus on what is being said. I'm just trying to put one foot in front of the other and finish. Maybe that's why it's important to take time off... so listening and responding remain a joy in the conversation of the play and not something that gets in the way of simply getting to the Opening.

I spent the second half of Saturday not thinking about the play at all. Far away. My mind was at ease. Sunday the focus shifted back on the play. Kate Rafey, stage manager from Clark, and our P.A. called to tell me she'd be arriving Monday and was excited about starting on the play. An hour later, l got a call from Lea who had spent approximately $40 finishing the costume shopping and prop shopping, besides cake, - in Florida. Got to love Florida shrift shops. And then I went out with a friend to watch the sun set over Manhattan - while there I spent most of the evening talking about the process of the play.

And today, Monday, I'm looking forward to getting back to it all again on Tuesday. Working some notes. And hoping to have everything in place so Sarah, Betsy, Lea, and Jessica can focus on tech. I'm getting very excited about sharing the play with the public. It is a very intimate process and the intimacy is what I'm hoping we are able to share with the public. As it has become Scott, my, Eric T., Jamie D, Jessica, Sarah, Lea, Betsy, Kate Rafey, Keenan, LAByrinth, and Alchemy's play...I look forward to it becoming the audience's play too.

Goodnight,

Padraic

Let's go Nuggets!

2009-05-29T22:51:00.005-04:00

Howdy,

Today was our last day of having our P.A. Keenan. He is from Colorado, graduating high school and will be attending NYU this fall as a theater major. He was a great help. Awesome support to Jessica in every way. Mainly setting up and taking down the rehearsal room everyday. He got hooked up with us because his mom met Phil's mom on a flight from Denver to Rochester, or the other way around. It turns out he knows Phil's sister Emily's daughter - Maddy. I put that in there because it is a small world and I like that the connection spans three generations. Thank you Keenan for everything. Hope to see you at Opening.

Andrea came back today and watched a run through. It is a gift to watch her do what she does. Dialect and text work is obviously her calling. She talked with Jamie and Eric T. about how to use the rhythm shifts in the language to help support the story and inner conflicts. She actually said it smarter. All her notes were right totally in line with the internal notes Scott and I have been talking about. Very helpful.

The last two days have been very good. Simple connection between the actors. Simple may be the wrong word. Effortless is how it is appearing.

We look forward to Kate Rafey joining the room on Tuesday.

Today I did something I don't remember ever doing...though I think I might've for The Dirty Talk. I took the weekend off. The actors are achieving excellent work. If we went into tech on this coming Tuesday I would still be rehearsing. With it a week a way, the best idea seemed to give them some time to digest Andrea's notes, to get fully off book, and to give them some personal time. We have a week left in the rehearsal room - it is important to keep the work fresh. I have faith Jamie D. and Eric T. will use this time to reflect on the work. I don't think the connection to the material will dissipate.

I will take the extra day off and run the Brooklyn Half Marathon and to check out Maggie Bofill's play FACECREAM at EST's Marathon.

Goodnight,

Padraic

On Fire

2009-05-29T00:35:00.002-04:00

Howdy,

Today's rehearsal was about reconnecting to one another. Rediscovering and investing in what Ruthie and Bo love about each other. And reconnecting to the intimacy and conversation of Sweet Storm. Scott very accurately talked about the trust and courage that it takes for actors to fall in love on stage...and that trust is apparent in the room. The play became much more intimate today, and because of that, it grew tremendously. The chemistry between the two of them was on fire - which is what makes it fun to watch.

And speaking of fire, the play has a lantern on the set. We all agree the 'light' from the lantern will be the theatrical lights - but the act of lighting a match to ignite the lantern is required for keeping the reality of the moment. Whenever there is fire on a set there has to be approval by a fire marshall and the set has to be flame proofed. There is a lot of discussion about how Ruthie will light the match while sitting on the bed, leaning far away from the bed... or does Bo have to do it for her? We explored many possibilities in rehearsal today...and the long lean by Ruthie is our answer today. It is fascinating the things you have to work on, or think about, when it comes to bringing a play to life.

Another great discovery, in a discussion with Sarah and Betsy yesterday it became clear that the event of closing the 'window' was more about Bo doing something to care for Ruthie, more than creating the reality of the window that was important. What we did - is not literal in any way. I can't tell you what it 'means'. I can just say that when it was done in the rehearsal room... everyone agreed that it felt totally right. I don't know if I discussed closing the window earlier or not on this blog. I'm discussing it now because the collaboration between all designers in the telling of the story is to be fully trusted. Everyone is invested in telling the story. And when I talk about directing I like to say, it is not up to the director to have the answer but to recognize when the answer has entered the room. Today it entered the room and everyone recognized it. Thanks to all in the discussion.

Goodnight,

Padraic

Back to Process

2009-05-28T00:32:00.002-04:00

Howdy,

All I have to say is that 'process is over' and the absence of process bites me in the butt. Today we did a run for Sarah, lighting designer, and Betsy, sound designer, and a few other people , Brian, Marieke, Bob, Scott's friend Michael - all there in support of the play. However, the cliche occurs. The actors push for product. Every beat of the play is displayed and craft is articulated and demonstrated. Just not experienced. And experience is where the play lives... in the ability to experience the play fully each time. As an actor... I can't do it. That's why I direct. Jamie and Eric T. have done it, have experienced it fully. The art of the actor, and what I see at LAByrinth all the time, is the courage to experience something fully each time... to bring yourself fully to the experience. When that happens the play soars.

I love this play because it makes me want to experience being in love. All that is joyful, tingling, and terrifying about risking what it is to be in love, to love, and possibly to be rejected. And willing to do that everyday, honestly, is the process of this play.

And for that - I never want to let go of process.

Goodnight,

Padraic

Trees Through The Forrest

2009-05-27T02:07:00.003-04:00

Howdy,

Okay, the post below talks about the 'process' being over. Then Lea emailed me photos from Lithia Springs Florida - where the play takes place. The one here is a fascinating view of trees that could very easily house this play. I like the ghost like gauzy shadowy mazes the branches form. I wanted to post it - to illustrate the process of discovery and exploration is never truly over. And the photo is fascinating. Thanks Lea.

Goodnight,

Padraic

"Development is over"

2009-05-27T01:40:00.002-04:00

Howdy,

Scott called me tonight and said that development is over. The script with its subtle changes between last summer and this production is pretty much, or actually fully, in its completed state. The workshop at Clark and the discussion I had with him during that period took my understanding of the play to a very full place of ownership. No longer am I, or the actors, asking Scott - 'what does mean?'. We are on our way to production. The play is a product now. It almost has been for the past year - and I won't take this time to give voice to some frustrations about the cost of fire proofing a set, or window, or a trap door. Those elements are all deserving to be part of this play. The choice has always been to showcase the script and the acting. I must say that the acting is so rich in detail and courageous in its honesty that I crave these real elements so that the actors can remain fully engaged in the reality they are creating.

This idea that the play is a product is correct. The blessing of working with the same cast and almost same crew is that we all grow together. And the actors are growing. By the end of this week we will be ready to go into the theater for tech and to invite an audience in. However, we will have one more week of rehearsal. In that additional time we need to pace ourselves, we also get to take advantage of this gift, this place that all productions want to be in...'I wish I had more time'. If you had the time what would you do? We are going to take the time so that the actors can continue to own and love 'the problem' of the play. The continue to strengthen character behavior, embodying the characters, and to deepen their relationship. It is an opportunity to honor the complexity of the characters - while remaining simple, or adhering to the essence of the play. That is our goal over the next ten rehearsals. To put a rich foundation under the play, and to marry it with the technical elements, and share the play with an audience as courageously as we have been rehearsing and developing the play.

Goodnight,

Padraic

Fleet Week Complete

2009-05-25T03:00:00.002-04:00

Howdy,

We ended the first week of rehearsal today by going through the first half of the play. The growth of the script and life of the characters is wonderful. We have found some nice details in the moment to moment work that really strengthens the surprise of the stakes for the characters. In the past, with other plays and this one probably, I've been hesitant to find moments where the stakes drops and people are just talking, gossiping, getting along joyfully - especially in a two character play, because it is hard to define the stakes of those moments. And the conflict. This week has been a maturing for myself in this fashion because it is in those moments that we see that Bo and Ruthie truly belong together and the stakes come out expressing that. Eric T. and Jamie D. are finding the vulnerability that comes with letting your guard down - and never relinquishing what's at stakes, or what that lowered guard was there to protect. I'm glad I'm growing with the play.

The play is dependent on detailed work and everytime - last summer, Clark, and now - I tend to want more set pieces and actual props then is normal for a rehearsal. This is because the detail gets so strong that the play wants to move to 'reality' for behavior sake as soon as possible. We have most of what is required. There are a few things that still need to be discovered. I look forward to Sarah coming into the room on Wednesday to get her perspective.

Because the actors are ahead of schedule in rehearsal - I'm taking a page from the Clark production. Having all of us set goals for our work. The next rehearsal, the next week, and the run. My main goal is to stay focused on the development of the world of the play... and to tell the story. Oh, and also - Equity requires a 'fight choreographer' because Bo has to carry Ruthie... it seems silly. However, I like unions and what they do me and all their memebers - So I won't question it. The best thing that comes from it is that Qui will be coming during tech to help with the lifts. The quality of people involved just keeps getting better and better.

I wish everyone a wonderful Memorial Day.

Goodnight,

Padraic

I heard the play today

2009-05-24T10:35:00.003-04:00

Howdy,

Andrea Haring came to rehearsal today and gave us a little of her time. Eric T. and Jamie D. have been doing some dialect work. With Andrea there today there was courage to push to dialect a bit. While doing it we started to hear the world of the play come alive. Scott has truly caught something in the dialogue. As Jamie hit certain phrases and sounds the personality of Ruthie started to pop. As did Bo's with Eric's work. Thank you Andrea. It is true that thru the voice the physicality, personality, and thought of the character begins to be experienced.

We are entering the end of our first week of rehearsal. The entire play has been put on its feet and worked. The actors growth is a treat to watch as much as their willingness to capture more of the play.

Goodnight,

Padraic

Day Four

2009-05-23T00:10:00.002-04:00

Howdy,

Okay, the work is still going very well. And for four days into rehearsal the depth of the acting work is amazing. Today though had two interesting glitches. One Eric T. was a tad intellectual for the first half of rehearsal. Now, he was aware of it and made an adjustment for the second half. That earlier part of rehearsal demonstrated how specific and detailed the work has to be for the play to succeed, and one half of an off day sometimes is the best way to be reminded of how good the work has been. The first half of rehearsal would be good in any other process. But - Bo and Ruthie are not being intellectual, they are innocent, vulnerable, and very much in the present. It is their view of the world, and watching them mature through the play that makes the journey so powerful. And that was made clear today.

The other thing is, as much as Scott and I love that there is a minimal design element to the play, there are some challenges. We believe the 'trap' door will work. We will see in the theater. We are still creating the illusion through stage activity of shutting a 'window'. I found a solution that seemed to work... but for Scott it was still an activity and not really clear or specific. The good news is we have two and a half weeks to find the right activity. This is where an additional $1,500 can always help, to go from what is really in the world of the play... to what is required to fully experience the story. I like our solutions thus far - I'm sure we will find an equally beautiful and simple solution for this. It is my first moment of difficulty in the limitation of the realization of the physical world. I look forward to sharing the answer with you.

The play is beautiful. Sometimes that forgets to get mentioned. Scott has written a lovely play. With beautiful arcs for the character, wonderful situation, and tremendous language. And there are a few rewrites that he has incorporated that were specific to notes from the last workshop, and some of the language inspired by the cast. It is a joy to continue to work on.

Goodnight,

Padraic

Day Three

2009-05-22T09:47:00.002-04:00

Howdy,

The work is going very well. Again, the willingness to explore the work in more detail is really enriching the play. We went through about 13 pages on our feet. We discovered a shared moment of levity which supports why Bo and Ruthie belong together.

We have most of the 'props' or set pieces in the rehearsal room. The bed is larger than before. It is twice the size of the workshop production. More in the spirit of a 'honeymoon' bed and what Scott was imagining. There is a moment or two that have to be rediscovered because of the size of the bed. However, the freedom of the size of the bed has really helped to support some new playing between the actors. Playing...good word for the work so far. It has been a very open process.

Regarding deepening the process, Andrea Haring has offered to come in Saturday to work on dialect. Thank you.

Also Jamie D. is committing to the physicalization of Ruthie - using the information generously shared by Jewdee. The benefit of going into production with the same cast that developed the play... is that they can really build on the foundation.

Scott went last night to an event for Off-Broadway Producers talking about partnering to produce. Scott talked about the importance of knowing your partner, that it is like a marriage and you need to trust them. There were some stories of difficulties shared but in our case the story is positive because Alchemy's support of the play and team that developed the project and with LAByrinth, not to paint too perfect a picture - there are issues - but ultimately the company is squarely about the work. And the work is what connects us. That spirit is true in the room. The other thing they talked about is that the more people that get involved in producing something the more the expectation grows for the size of a show. This information reaffirmed with Scott that it is a great thing that we are pairing the show down to what is required in the physical production. It demonstrates a commitment to the play and trust in the work.

Goodnight,

Padraic

Day ja Two

2009-05-21T00:55:00.002-04:00

Howdy,

There is always something to learn. Today we did table work on a play that I've done three readings of, a 75 hour workshop on, and another workshop at a college - and I discovered at least three things in details, and one larger picture theme. Overall I deepened my appreciation for actors. Eric T. and Jamie D. are really good. The work they did in the last workshop was tremendous. I am more impressed by their willingness to let that go and try to approach the play fresh from where they are now as artists. That willingness taught me a lot about the play today. And to be fair to myself and Scott - we are both bringing a year of personal growth to the work. Sharing of ourselves, asking questions, and responding to what we hear in an honest way has let the play teach us more. Oh, back to appreciation for actors...details, details, details. Getting honest, staying honest, be specific, even more specific, now connect all the work moment to moment. I'm watching them work toward that and it is a joy. The story of this play is the courage it takes to be fully present and vulnerable with another person to form a bond...and a what allows for the experience of the play to occur is the actor's courage every time to be present and vulnerable.

Since this is a blog about the process - a side note. I have found myself irritable the last couple of days before rehearsal or thinking about 'production' elements. The reason being I think because I've waited for a year for this production to happen. I don't want anything to get in the way or to shift it in a direction that will effect the ease of experience. Ridiculous. It is a process and we are miles ahead of any other process. My irritability is not rational. It is a bit like Bo's dilemma with Ruthie...the play is so lovely and perfect...I don't want to discover it's 'humanness' or flaws. And the flaws are where the true character reside. I hope in sharing this I'm able to let go of the expectation and experience this ride fully in and out of the rehearsal room.

The ride so far - so good.

Goodnight,

Padraic

Day One

2009-05-20T08:36:00.002-04:00

Howdy,

Traditional first day of rehearsal. We introduced the players, presented design ideas, read the play...and then we got to work. I look forward to more of that.It was wonderful to be back in the room with the cast, Jessica, Lea, and Betsy. Sarah was missed. And looking forward to introducing Kate Rafey to the team. Nice to have Keenan, our intern from Colorado, on our team. Also, at rerhearsal - James, production manager, Fran- Development Director for Alchemy, Bob - Artistic Director of Alchemy Theater, Kpoe - Company Manager for LAByrinth, Veronica - Development Director for LAByrinth and Mimi - Company Member of LAByrinth. It is wonderful to have such great support on the project.

Getting down to work is exciting. Jamie and Eric are as lovely as ever to watch together. And the foundation of the work is there - now let's go deeper and more specific.

One note - it is lovely to be in the rehearsal room at LAByrinth. The stage is taped out, Lea has unloaded costumes, and numerous set pieces. There are crates, buckets, and gardenias throughout the room. It looks like the play is home, and making the room feel like our home. This is the first time that I've rehearsed at the LAByrinth office. There is something special about having our own space to work.

Well - got to go to rehearsal.

Goodnight,

Padraic

What's the point of development?

2009-05-19T00:04:00.003-04:00

Howdy,

What's the point of development? It is to bring plays to the point of production. Tomorrow is the first day of rehearsal for our production of Sweet Storm. It is very exciting and fulfilling. I was struck by this as I spoke with Lea about furniture placement. I had definite opinions about where crates would go, and the lantern, and the suitcases, etc... And I thought "I'm being very rigid about this. I'm usually very flexible and open to exploring. What's going on?" What was going on is - not only has the script of the play been developed - so has the physical movement of the play. The exploration in The Public LAB Series last year and again at Clark in the fall was a way of learning about the requirements of the play. The development process strengthened the understanding of the text, the depth of the play, as well as the physical requirements of the story telling.

I am thrilled, and as I mentioned earlier in this blog - honored, that this play is venturing from 'development' to production. Tomorrow is a gift. We get to begin the experience of rediscovering this play. Allowing us to go deeper into the experience of this world while being supported by the foundation we have developed throughout this creative journey.

Goodnight,

Padraic

In Town

2009-05-15T13:31:00.002-04:00

Howdy,

Scott Hudson and Lea are both in town from Florida. It is very exciting that the work is beginning in earnest. Lea is shopping for costumes, measuring the stage, arranging for a rehearsal bed...all good stuff. Scott is speaking at Maggie Flannigan's open house for her acting studio about the play, and probably about the genius that is Maggie.

The set that took weeks of getting to the bare essence and three bids to get within budget apparently took a day to built. It is built and in Ken's shop. It looks very exciting. I won't post pictures yet to keep an element of surprise.

I do want to take minute to acknowledge people who helped on the last production that may not be part of this time around. Lauren - congrats on graduating U. of Michigan. Becky - hope summer off from Amherst is awesome for you. David Jackson - son of a preacher man, stop by when ever you can. And Martin, thank you. I saw him in the 'hood today and told him we did too good of a job in our workshop. Everyone believes they saw the whole set before and they also believe we can do it with nothing. The mechanics of our work were transparent and the result successful. I also appreciate your thought about camo-netting - which is also Lea's thought. Hearing it from you today confirm in my mind something I could picture... is in fact the way to go.

I'm sure there are others that helped that may not be mentioned in this email. I hope you will be part of making this production possible. All of you are part of this project always. And I'm grateful to those we've met along the way and have been added to the family of the play. Leah and Dan from Clark, I can't wait to introduce you to Jamie and Eric T. I'm very glad to have Kate Rafey to be joining Jessica in bringing this play to life. There is something from every aspect of development connected to this play. As we enter into the beginning of rehearsal it is clear that the love and effort contributed by all the artists at Bennington, Clark, Alchemy, and The LAByrinth family are tightly woven into the fabric of this play. That is the beauty this play inspires... the faith and willingness to share yourself fully with another.

goodnight,

Padraic

Gratitude

2009-05-13T12:22:00.004-04:00

Howdy,

Today I am struck by what an honor it is to revisit a play that you love with the cast and production team that you love. This will be my third time having this experience in my twenty-years of directing. It is a rare treat. It is a great honor. The other two times proved to be maturing experiences for the play and the artists involved. There was an ease and respect in the approach to the work. There is also love. Love that is similar to the experience of Ruthie and Bo in the play. It is full of the pleasure each gives to one another, the respect they have for each other, a feeling of wanting to be worthy and honoring each other - and ultimately like the two newlyweds wanting to make sure you give the other the life they deserve.

As I have time to sit with the script and refocus on the specifics of the play it is with awareness of the honor we have been giving to revisit this play; to continue to grow with it and to help support its growth. Most of these postings have been about the development process. I'm not sure that today is about development, but it is about opportunities in life. It is also an honor to continue to share this experience with whomever is reading the blog. I hope Jewdee, and any one who has shared comments with us or read along, - will once again join us in revisiting the work. Coming together with a group of people that you love, respect, and enjoy to work with is an honor. And for that --I am grateful.

Goodnight,

Padraic

pre-production

2009-05-08T17:38:00.002-04:00

Howdy,

Today truly felt like the first day of moving from development to production. I met Gino this morning at The LAByrinth office. He dropped off a some props from Clark (buck knife, transistor radio, gardenias, etc.). I spoke with Lea about the height of the deck for the show, we are committing to 8 inches off the ground vs. 12. Thinking about sight lines. Her drawings for the shop are due today. Cuz they are really going to build it and really need time to do that. And then more than a few people in my daily travels from NYU, The Public, and Center Stage said things like 'how's Sweet Storm', 'can't wait to see it,''When do you open?"
That is the key difference between development and production - there is an expectation of product before the first day of rehearsal. I don't usually like to think about Product - I think because I value discovery the most about the process of rehearsal. However, with this play we've discovered a lot in the two readings, PublicLAB workshop, and the workshop at Clark. What is exciting about bringing it to Production is discovering the strength of the play...how deep it is and strong it is - and that it's beauty also has the muscle to support a long run and thorough investigation.
And the strength and beauty is captured in the poster design. I hope you check it out on the website as you go to purchase tickets to our production. It's a day about production...can't wait for May 19th, when we get back deep into the process.

goodnight,
Padraic

Essence

2009-05-04T15:29:00.005-04:00

Howdy,

Received another drawing today from Lea and the new drafting. It is amazing what working within a budget can do for creativity and deciding what is needed. We went to the basics, floor, theatrical tree (which I love), and elevated platform. Things we cut - the roof, more symbolic of the gesture Bo did for Ruthie by putting a roof over his family's head. And the back wall - really required to stop the eye (I may regret this later) in The Public Theater. We are truly down to the essence of the work. We kept the elevated platform because we want to create the illusion that they are floating - that artistic idea could go away, but we very much want to utilize the height to support the idea of them climbing up into the treehouse through the trapdoor. There is great Catch 22 that occurred in the process. If we don't light the lantern we don't have to fireproof everything - which saves money. With that money we could afford all the things that we had to cut. If we fully realize the set we have to light the lantern. So, we can't afford it...it looks like the lantern may be lit with the magic of theater and the love of Ruthie and Bo.

We now move onto marketing...it takes a while to find the right image. Thankfully, Monique came in with some lovely photo images for the play. The Gardenia in a storm seems to feel right. Hope you agree. There's a production meeting Wednesday, let you all know how we are doing financially with creating the magical reality that is Sweet Storm.

Oh, and before I go, I'm very happy that Gino from Clark found the transistor radio and will be bringing props from Clark to the LAByrinth office on Friday. I also want to mention that Ken who's shop we are hoping will do the build of the set let Lea know that he found planking for the floor and that would cut the cost of the build. He thought the look of the floor was important and wanted to help make it possible. One thing that this process proves over and over again is that the development of plays only occurs through the effort and care of many.

Goodnight,

Padraic

Jamie Dunn

2009-04-29T14:31:00.002-04:00

Let it Rain

2009-04-23T10:13:00.002-04:00

Howdy,

Had a wonderful meeting with Sarah Sidman last week. We covered all the topics, late Fall Dusk, working lanterns, and more excitedly Sarah brought in an idea about pre-show. I don't usually think of pre-show as a time for telling the story. It is more of a time to create an environment to experience the play. Sarah's idea will do this. Oh, Sarah's idea was to not treat the space, the treehouse, as indoors, but to establish the outside environment - the rain, through sound and lights during the pre-show. When the play starts we are going to focus on the outside environment only how it is seen through the treehouse. This opening idea is a way for the storm to be realized in the audience's mind - and not seem so sudden at the end of the play. Well, it does a lot of things. The other designers, Scott, and myself think it's great.

Also, got an email from Betsy - who believes she can get all of what she needs regarding sound equipment. It is very exciting to start to put the pieces together all within a budget. It forces us to be creative, yet always serving the play. I wish I could attach a beautiful picture of what an ear monitor will do for making the transistor radio be a successful and beautiful element of the play. Until I can figure out how to do that - I will instead post a new design for a tree, that is within our budget, (I believe), and is very exciting artistically. Above is new draft of the model. I look forward to watching how the rest comes together.

I was going to blog earlier but I was so happy to see Eric T. Miller's face on the blog I thought it best to it sit at the top of the sight for a while. Can't wait to see Jamie Dunn in video as well.

Goodnight,

Padraic

Eric T. Miller 4/20/09

2009-04-21T08:15:00.003-04:00

Limitations allow for creativity

2009-04-15T22:53:00.002-04:00

Howdy,

Talked with Lea tonight about her conversation with a prospective shop. Our desire for the design is very close to the budget. The discussion about the decisions that have to be made to come within the budget allowed us to think creatively about somethings we've wanted all along. We are going to look for a well designed, stylized, way to realize the tree. Freeing ourselves from the 'expense' of the realistic tree - then moves us toward, what is the world of the play we are creating, what does this tree have to be. It is an exciting conversation because we are trying to present this rich world of Scott's - without fully realizing it. The reason for not fully realizing it - is because the play grows in scope each time it is experienced, and it is important for the set to not to dwarf the play. It wants to allow for a vastness that resides in the poetry of Scott's world. Part of that vastness is in the imagination, so it is a dance ( a nice metaphor for this play) to find the balance of creating the world of the play while allowing for the imagination of the possible to take place in the audience's mind.

The conversation with Lea perfectly dovetailed with some of Scott's thoughts he shared with me today about the need for intimacy in the space. I love that everyone is thinking about the story of the play...and what is essential. Speaking of essential - the shop Lea talked to today said something lovely, when she suggested what might be able to be cut to save on costs, he cautioned her because he thought she had given just the right balance of what was required to communicate the world. So nice for him to recognize that. It encouraged us to talk about solutions in a different way.

I'm looking forward to my meeting with Sarah Sidman tomorrow, now the Knives and other Sharp Objectives is up and running, and her other show (Angela's Mixed Tape - I think) is out of tech. Very glad she is busy, happier that she is free to talk. Look forward to sharing those conversations - and answering questions about lanterns, matches, and late summer dusk.

goodnight,

Padraic

it's official

2009-04-06T02:37:00.005-04:00

Howdy,

So today the announcement of the production is in the NYTimes. Alchemy Theater in association with LAByrinth Theater will present Sweet Storm at the Kirk Theater. Previews begin June 11th.

Almost the entire creative team is coming back and we also welcome Kate Rafey from the Clark production. She will be working backstage and assisting Jessica. It is very exciting that the announcement has been made. I will say the challenge from workshop to production are the same as on any play. We are now battling with achieving what is best for the play and working within the budget. That is a battle no matter what the budget. So far that challenge has added to thinking about what is the essence of the play. The designers, Scott, and myself agree what is most important is seeing the world through the Treehouse. The orchard, the storm, time of day... all of it is important only in how it effects the world of Bo and Ruthie. The set, lighting, and sound will support this idea. To use a word from my conversation with Sarah - 'elegant'. The minimal presentation will give us an elegant production of this beautiful play.

Clark is lending us some props from the workshop we did there. And Lea has been shopping - finding bargains, for gardenias, period coolers, fishing tackle. The work in earnest is beginning.

Tomorrow the set goes to a shop to be bid. From there we learn if our desire for what we think is 'minimal' is within our budget. And then conversations will begin again - around what is essential. The question of what is 'essential' has been what has taught me the most about the play. A door, a tree, a bed... and vulnerable first time lovers. That is what is essential for this play.

Above is the image of the set at the moment. Look forward to continued discussions and reading the NYTimes on the subway tomorrow.

Goodnight,

Padraic

From Dev. to Production

2009-03-25T13:24:00.003-04:00

Howdy,

So, we've been in the process of bringing the play to full production. More details to follow - but look for it to happen in June. I've decided to blog about the process because I've been doing a study in Web 2.0 and the value of sharing the process step by step with any one interested. I hope you're interested.
The main challenge of guiding the play to full production is courage. Courage to evolve beyond the magic of the 'rehearsal' room atmosphere that made the play a success. Part of the success, in my opinion, was the imagination of the audience to fill in the reality of the treehouse, and environment. The acting was simple - guiding the audience to experience the play - the sound was similar - we also allowed people see us make the some of the sounds and the board ops were present. It was as if we were making the audience aware that they were being told a story, a romantic bedtime story and then slowly the story tellers went away and the audience was swept up in the reality of the story they were watching.
The designers and I agree when moving into the theater we want to fully realize the production. Yet we don't want to lose the magic of the story telling. The magic isn't just in the imagination of the the audience, or the power of theater. There is magic in the play. It is a story of people being trapped in a limited physical environment - but vastness outside the space contains great possibilities. That vastness of the possibility inside the treehouse - as well as the 'magic' that resides in the play wants to be realized in the set. Thankfully Lea has done a wonderful job bringing me slowly along from the minimal rehearsal room feeling to the three walls and roof version and then back to a minimal magical version of the set. (above are sketches of one full wall - then two walls) That journey was required so I knew that I was making decisions not out of fear of change from what we did before...but out of what is the most effective way of sharing the story with audience inside a theater on a night to night basis. At some point...it will no longer be rehearsal, and the play has to stand fully on it's legs and claim itself fully in the theater. I believe we are on the path to a design that will strengthen the experience of the play.
One thing Lea and I talked about is that it is important for the audience to be able to see the treehouse through the eyes of Ruthie and then equally through the eyes of Bo. By providing a minimal framework of what the house is - the audience has the flexibility to shift their view of the tree house. It is my hope that the view of the house will continuously shift as the story grows. Eventually it will settle as the environment is no longer the issue for the characters - and shifts to what is happening between them that matters more, and the elements will allow us to focus more on their internal journey.
As we get close to finalizing the set Lea and I will share more sketches.
I hope to share more of the journey was we continue to design the play.

Fun facts: Scott has some rewrites. And Clark University is generously helping with some props.

goodnight,

Padraic

Scott Hudson and Padraic Lillis discuss "Sweet Storm" (video)

2009-01-09T13:09:00.002-05:00

After the Public LAB run of "Sweet Storm" had ended, Scott and Padraic reminisced at the afterparty for LAByrinth's benefit reading of "Jesus Hopped the 'A' Train" in New York, June 22, 2008.

A photo from the Clark production...

2008-12-16T16:18:00.003-05:00

Sadness, Accomplishment, Development

2008-12-09T01:00:00.003-05:00

Howdy,

Tonight was the closing night of the run at Clark. It went wonderfully. All four performances were full. The audience responded to everything. They were fully engaged from point one - according to Kate Rafey. The actors said the play continued to grow. I'm going to write about that in a moment...but before tonight's final performance on the blog was the most generous comment from Jewdee - it's from a posting two days ago - and you have to read it. It confirmed from experience everything that Leah, Jamie D, Scott, and myself have been aiming for in the character of Ruthie. I wish I had these words for rehearsal because they so accurately describe what we are striving for - from experience. When I read it I was stroke by the generosity of spirit Jewdee has in sharing her insight. Then I was upset because I wanted to apply this information, apply it better, if possible. And then I realized this blog is part of the development process. This information Jewdee shared with us all will be here for as long as the blog is here...and is a reference point for every production that happens of this play. And that in itself is incredibly valuable...and for that not only do I thank Jewdee, but Trevor at LAByrinth for suggesting the blog for the process.

At 11:15PM tonight I finally called Kate Rafey (best collegiate stage manager ever) and learned she was sad that it was over. "It should still keep running. The actors are still growing..and it's so good." Dan's mom came a second time and thought it was better. And Dan is anxious to apply what he has learned to his next project...which may be some Shanley short plays (keeping it in the LAB family) and Leah doesn't want it to end. Which of course it's not going to. The play will get done again. Hopefully in New York. But in the conversation about their growth in this process, it was heart warming to hear about the sadness that they were feeling. Sad, not because they were going to miss each other, or the magical bond of the play, but a sadness that tends to be mixed evenly with pride. Proud of what you have done, and a feeling that sits deep within you...yearns to be recognized - and even when it is...wants more than anything to be sustained. In your next project, the continuation of this project...in some way...wanting to be recognized for doing something extraordinary. And everyone involved in the Clark production of Sweet Storm is feeling that contradiction that sits in the title - they are sad that this lag of the journey has ended but they are very proud of how far they came. And so am I. The play is stronger and better for everything that Kate Rafey, Dan Derks, and Leah Henoch brought to it. Thank you.

Goodnight,
Padraic

Development from afar or Love is in the Air

2008-12-08T00:48:00.002-05:00

Howdy,

When I remounted The Dirty Talk with Kevin and Sidney - I remember talking about at rehearsal that it is a privilege to be able to revisit a play you love. Once in a decade type of an event in a career. It is actually a fourth in a lifetime event for me with Sweet Storm. This is the first revisit I've had with a different cast - but it is equally as special. And what makes it special is the investment everyone puts into the play. This play demands it - because it's about allowing us to be loved and to love. And you can't do that half assed. As I mentioned I could only see the first performance at Clark. Mainly because I had committed to get back to the LAByrinth Master Classes on Sunday and Monday - and you can't get from Worcester to NYC very easily - so I had to return Saturday morning. I have been honored the last two nights to get a call from the stage manager, Kate Rafey (the best college stage manager ever) and Dan and Leah - both nights reporting on the growth of the play and setting goals for tomorrow's performance. Goals of growth. And it really reminds me of the three performances we did at The Public with Jamie D. and Eric T. because in each of those we pushed for growth. And each show got better and better - and it sounds like that is happening in Clark as well.

A valuable lesson was learned by both actors tonight. Saturday's prep was so good and so strong...that they set new goals and made the assumption that there prep would be there because it was there last night. Something they won't do Monday because they both realized they still have to do the prep to realize the early moments of the play. At the same time they knew it wasn't as strong and they put the focus on the other and trusted them, invested in them, and as Kate Rafey texted me...'the actors were good'.
I love getting the calls at night to hear how it went, and what they want to strengthen tomorrow. I love that they care about the play as much as I do, and Jamie, Eric, Jessica, Lea, Betsy, Sarah, Martin and all do.
My quote of the night comes from Dan (Bo)- "It's amazing we are able to approach each performance as an opportunity of growth. Usually you're going on stage trying to make up for things you didn't get to in the process. Here we're not trying to catch up, we're trying to add to it. And make it more specific. And that's really cool."
That's the feckin' spirit of LAByrinth if I ever heard it.

Goodnight,
Padraic

UP and UP

2008-12-06T23:58:00.002-05:00

Howdy,

The production/workshop at Clark is up and running. It opened last night and was tremendous. The actors really are giving it their all and is a lovely piece for young actors. The one thing that is great about Sweet Storm is it holds what ever ability you have and supports that story. But as the actors get more specific and go deeper - it will tell that story too. And from all reports the second night...which I missed. We rehearsed today at noon, working a few points, mainly finding points of release for Ruthie, where she doesn't have to hold back. She found them. And from all reports it went even better today than yesterday. Which is all anyone can ask. Both actors called me seperately after the show to say how good the other actor was. That was fantastic. Also, Leah pointed out the feeling in the beginning of the play of the audience thinking Bo is so nice and that Ruthie is a little whiney helped her because that energy - she realized is probably what happens to these characters in real life. Bo is considered great for marrying and caring for a sick girl, and she doesn't appear grateful enough. I liked hearing it as an acting tool...and as an accurate journey the audience goes on with the two of them.

One note for the next full production - Clark got fake gardenias...and boy those are impressive flowers. It makes the whole room look fuller and about the burst. At Clark we had a similiar set as at The Public but with interesting flats and the stage was raised a foot off the ground. We were able to convey the idea of height and climbing into the tree house. Still no trapdoor - but the elevation was realized. And it does help tell the story.

I hope the play happens in NYC - and that the Clark team gets to meet the NYC team. I know the Leah, Dan, and Kate Rafey - the stage manager - would love it.

Goodnight,
Padraic

The value in working slow

2008-12-02T11:27:00.002-05:00

Howdy,

I wish this workshop at Clark was happening in the NYC so everyone could see it. Obviously, Jamie Dunn and Eric T. Miller were brilliant. But these two students - Leah and Dan are knocking it out. Really growing every day and doing all they can to bring these two to life. It is a treat to work with them. I've learned a lot about the play, the need for an astute sharp eye, and the basics of acting - the stakes are invested in the other person. That btw was a great reminder from a conversation with Charles Goforth.

My Quick findings:
Both characters are in a similar place of status to one another.
If each is trying to be worthy (in some form or another) of the other's love it keeps it very active and the stakes are always present.
If Ruthie is investing in Bo getting what he deserves...it makes her less 'spoiled' as it were. It takes away from her dissappointment it makes it more about her love for him and she becomes much more sympathetic. (By much more - I mean a tremendous amount to the subtle eye of someone who knows the play really well - but it's better.)
It seems obvious that the stakes reside in the other person...but it does take working with students to remind you of the obvious so that to ensure that the emotions of self identifying pain of Ruthie's is grounded - or more empathetic.

I'm looking forward to seeing how this effects the rehearsals and discoveries when we go back to work on the play in NYC this Spring. Stay tuned for more information.

Goodnight,
Padraic

God is in the details

2008-11-25T09:17:00.002-05:00

Howdy,

I was invited to Clark to work on this play with students because my friend who teaches here saw the presentation at The Public LAB series in June. I realize now that our designers were so good, so good, that he didn't realize how hard the play is. By that I mean...where are you going to get 50 gardenias, and these sound cues, and wait...the clothes get chocolate on them every night, and she has to change clothes on stage? I mention all of this because our designers were so good that few people noticed all the detail in finding the right dress, the right nightgown, the right pair of boxers...all of it. Because working with students in a 'workshop' no one is specifically in charge of anything. So, the phrase I keep repeating is "Yes, the clothes are simple, but they have to be specific." You can substitute the word 'clothes' with any other that applies to the play.
I'm not complaining - just grateful for the efforts of others.

Also, I'm watching the specifics of the actors, and how lazer specific the internal life needs to be great in a play. Pushing Leah - the actress playing Ruthie to get specific when Bo is pushing her to tell him what she wants...In trying to get her to name the one thing that would make her happy...She named being able to 'successfully' consummate the marriage. And it took a while to get that answer, I didn't know it was the answer - I actually thought the answer was " I don't know" but wanted to push so she could feel the frustration of not knowing...but when that answer came out, it helped to clarify how she is listening. It also made the stakes and fears specific for her. And I realized, yes, when I don't know...there is always a specific tartget of need, want, or fear...and that specificness is what makes the behavior in acting exciting and engaging.

Scott's rewrite is great. It took the actors a couple of days to make it not jarring to my ear to hear something new. And now that have a sense of ownership of it...the change is very powerful. That Scott Hudson is a feckin' good writer.

Goodnight,

Padraic

Continuous Learning

2008-11-20T21:05:00.002-05:00

Howdy,

What is great about taking a play back into development, and with new actors, is you hear it differently. Working with Leah and Dan at Clark - I've heard some of the levels of humor and friendship that need to be a little more present in the play. Also, I'm learning about the specifics of love, what is it exactly these two individuals get from the other - in just their relationship. Just by knowing and being with the other that they get from no other. Watching these two young actors discuss that with each other today really deepened how specific this relationship, well probably every relationship is, but specifically this one for the play - how their interactions inform their relationship to the world and the journey. (I'm leaving the word journey in the blog...it seems less specific than I want to be but for now - it stays.)
This play is wonderful to work on with students - because it works with what ever level of specificness you are capable of achieving in action and emotion. The deeper and more specific work you do the stronger the play. It can support you and you learn - and expand with the actor. Also, it forces you to keep learning and growing. I saw Jamie at the LAB party last night - and she said she still is stopped in the middle of doing something with an "Aha" moment about a moment in SWEET STORM.
those "Aha" moments make it a great play to work on with young actors.
Okay - I'm hoping to keep this blog up. I hope to learn more about the development process - if not of the play, maybe of actors and directors.

Goodnight,
Padraic

Life after the Summer Winds

2008-11-19T18:09:00.002-05:00

Howdy,

I am in LAByrinth's off speaking with Trevor, who began the idea of blogging for the Play Development Process of the Public LAB presentation of SWEET STORM, and we were talking about the value of the blog in all of our Development or Production Processes. And well - I'm a fan. I love sharing the process with you - whomever you are, because I think the process of creating a play is challenging and should never be done alone. And sharing my experience with you - makes me understand it better, and possibly for those of you venturing into your own process reading these postings will give you comfort in your process. And for the voyeur or fan who is just curious what's happening with this play...hey good to see you again.

Two things happening with Scott Hudson's SWEET STORM. The first is after seeing the play at the Public LAB in June Clark University invited me up to work on the play with their students. We are doing a presentation with the similar level of tech as the Public LAB. It is more of a workshop for the actors. Who, thus far, are great. Leah and Dan are playing Ruthie and Bo. They are meeting every challenge and working as hard as they can. And they love the play. I also have the fortune of a brilliant post grad stage manager - Kate who is holding the tree house together as I commute to Worcester, MA and NYC. We are doing the presentations in a wonderful rehearsal room with a giant tree blowing outside the window. We are hoping to light this tree for our presentation - hopefully the wind and rain will be there too. For more details - I will share as they come.
Oh - and Scott added some text that we are trying out. So far so good.

Second piece of news: there is a theater company in New York interested in producing the play in the Spring of '09. It is still in the discussion phase as of now - so I won't mention the Company involved. But I will say that their interest stems from seeing the Public LAB presentation as well - and that they thought the play was beautiful and about the risk involved in allowing another person to love you. And the absence of cynism - was not only heart warming, but also a little threatening - and something that the world should experience today. All of that was lovely.

Now that Trevor has jogged my memory of the blogging - I'll keep you posted about the Clark Presentation, and any news on the possible Spring Production.

Goodnight,

Padraic

Follow Up

2008-07-06T13:46:00.002-04:00

Howdy,

Hope all had a lovely 4th of July weekend. I didn't want to post because I love the picture of the company that worked on the production being the last shot on the blog. But then I realized eventually there would be other posts - so might as well go now. Also, Scott and I had a very productive follow up conversation on Thursday regarding the play and the process. Thank you to all of the comments, on the blog and in person. We really talked about - maybe this is directing and acting thought - but we talked about how when Ruthie really captures the Southern sweet girl she was before getting Polio - it really taps into the struggle she is facing as she confronts the negativity she is allowing to creep in. We also discussed with the wonderful detail work Eric T. and Jamie D. were doing, it allowed us to focus on the behavior of their relationship before the illness. I look forward to incorporating more of that work in any future productions. Also, Scott and I discussed the value of naming the illness, polio, in the play - it would have to organic and not expositional, but we don't want people guessing...for too long about what happened to Ruthie. That was a very useful note from the blog. Thank you for that.

Goodnight,

Padraic

The Cast and Crew!

2008-06-25T10:59:00.007-04:00

Here's the team for Sweet Storm (not the whole team, but everyone present), assembled after the dress rehearsal, Thursday 6/19/08.

From left to right: Carly Whitaker (our Assistant Scenic Designer from Bennington), Sarah Sidman (one of LAB's fantastic Lighting Designers), Jamie Dunn (the one and only Ruthie), Jessica J. Felix (our tremendous Stage Manager), Eric T. Miller (the one and only Bo), Padraic our fine director, Martin Andrew (Scenic Designer), the playwright himself Scott Hudson, Elizabeth Rhodes (one of LAB's great Sound Designers), Lauren Lopez (production assistant extraordinaire), David Jackson (Assistant Director - and a genius with his own company, Impetuous Theater), and Becky Harris (our other Production Assistant extraordinaire).

Beautiful Photo by Thom Kaine.

Production Photos 3

2008-06-25T10:43:00.004-04:00

Here's my favorite: Jamie Dunn and Eric T. Miller, photo by Thom Kaine.

Production Photos 2

2008-06-25T10:31:00.007-04:00

The second batch: Jamie Dunn and Eric T. Miller. Photos by the great Thom Kaine.

Production Photos 1

2008-06-25T10:23:00.005-04:00

Here are the first of the production photos! Thom Kaine took these shots at the dress rehearsal on Thursday evening 6/19, and I think they're great. If you want to see more of his work, you can do so here. All the photos are of Eric T. Miller (playing Bo) and Jamie Dunn (playing Ruthie).

Presentation 3 - Goodnight

2008-06-22T01:03:00.003-04:00

Howdy,

This was our final presentation in the Public LAB workshop. The goal of our workshop was met. The play has been developed to its fullest and is in production fighting shape.

I will update you on any news regarding the play. I hope you enjoyed the show - and the development process. It is now time to hear your comments.

It has been an honor.

Goodnight,

Padraic

PERFORMANCE 3! 6/21/08 closing night

2008-06-21T22:31:00.000-04:00

A great final performance. What a show.

Stage Manager notes: "Really Terrific Show! Nothing but the best from the audience. The actors took 2 curtain calls due to the ravenous applause! Moments that got a large response: Very Top Entrance, New Boxers, Mr. Jenkins burnin' in hell, Scrooge, Gloria Hattersfield, Blue Jay, Collecting the gardenias, Colas (open cooler and preacher push!!!!), Cutlery, Fish!!!, Ladder Break. CONGRATULATIONS on a superbly executed show!"

1 note for the actors: Great Job!
1 props note: All props are stored at the Shiva right now.
1 set note: Set Elements are stored in the Shiva right now.
1 costumes note: Becky washed all the costumes and they are stored in the Shiva.

Running time: 1 hour 13 minutes.

If you saw this performance, please post a comment and tell us your thoughts. The show might be over for now, but we'll be talking about it for a long time.

Presentation 2 - director cut

2008-06-21T19:10:00.002-04:00

Howdy,

I'm posting for continuity. I don't want to combine the two shows together because we did implement notes from what we learned during last night's run. Scott took one of Brett C's notes - and put it into the script. It truly added to the hope. Great eye for detail. And I talked with Jamie D. after my discussion with E-Rod. Her prep was great. Very powerful. Huge growth.
Only a couple of notes for tonight. And I saw a blocking opportunity that can help tell the story - we'll put that in. Also, we added water, meaning I sprayed the actors down before the show- you know, cuz it's raining outside, at the top of show - helped the reality. Bout time we tried that.
For more details - read below: You have the performance report and photos. Thanks Trevor.
Thanks Rebecca for your comments.
They are going to go even deeper, and more specific, with a spirit of play.
Designers rock. P.A. rock. Jessica...rocks them all.

Look forward to the final presentation tonight. We have learned a lot - and hope to learn more tonight.

Goodnight,

Padraic

PERFORMANCE 2! 6/21/08 matinee

2008-06-21T15:20:00.000-04:00

Another happy audience. Partial standing ovation.

Stage Manager reports that there were "Huge responses for: Hanger!!, Boxers!!, Mrs. Owens section, Gloria Hatersfield, Blue Jays, Bo collecting the flowers, Colas, Cutlery, the whole Cake scene, The Fish!!!, Opening the radio."

Padraic will be giving the cast notes at 6pm, before tonight's performance.

Props note: cola cap still tight!

If you saw this performance, PLEASE POST A COMMENT!

Running time: 1 hour, 11 minutes (we gained 1 minute).

Production Photographs

2008-06-21T12:37:00.003-04:00

Thom Kaine, one of LAByrinth's fantastic interns stepped in at the last minute to take photographs at the Dress Rehearsal (Monique, our irreplaceable Company Photographer, wasn't able to be there). The results are A WORK OF ART. We'll post them on the blog in a couple of days, but in the meantime, you can check them out here. (http://tkaine.carbonmade.com/projects/2080233#1)

Thanks Thom - great work!

Presentation 1 - "Open"

2008-06-21T01:41:00.004-04:00

Howdy,

Way to go everyone. The pressure that became apparent yesterday, the pressure of sharing the work...well that pressure clarified what we needed to focus on. And the courage, strength and commitment to meet that challenge. We rehearsed a couple of clarifying moments - blocking with sound. A lighting moment or two, looked at and found the best quilt for the bed spread. Thank you Marieke for bringing in the perfect option.
Audience - it was sold out...but it also proved that if you come, you will get in. Everyone got a seat - so please, come to the theater and see the play.
This presentation tonight was fantastic - everything came together in a lovely way. Audience, actors, tech...all parts. There was a tremendous amount of love after the presentation. I'm not going to write about that too much. I hope you all will come and experience it for yourself tomorrow. Either at 2pm or 8pm.
However, I am going to focus on the 'development' aspect of presenting work like this. If it was a one time shot - I'd be basking in the glow of our success. And Scott and I would talk in a day or two after we come down from this achievement - and get a sense of clarity about what happened tonight. However, because we have a show at 2pm tomorrow. We celebrated tonight...and then scheduled rehearsal tomorrow morning. There are a couple of beats to look at again. Mainly to tighten up, to keep the stakes present, and - some people say louder, faster, funnier...but most of the time...faster is good for allowing the characters to be effected by what is going on in certain areas. The heightened emotions motivate things...and makes them less intellectual and more visceral. So we will explore that.
The other reason we are working is because it is a 'workshop' not a run. I don't want the cast, or Scott - to think we are done because the audience liked us. And there is a terror, or slight fear, that comfort will settle in. Rehearsal is not to prevent comfort but to focus or efforts.
Okay, one more thing I love about LAByrinth. I went to the E. 4th Street Bar after the presentation. Rounds of praise for all. And then when the backroom emptied E-Rod and I talked about how to make each moment more emotionally specific and deeper for the actors. She talked about the key being in the emotional preparation before going on stage. It was good...it was things the actors, Scott, and I talked about during the process...but to hear it again got me focused back on reminding the actors and pushing them to continue to reach. Even if it pushes off the security of what we had tonight...because we know what tonight was, but our goal is to see what the play can be.
After that conversation Brett C. had two text thoughts for Scott. Scott left early...but he asked Brett and he is passing them on to me. One of them is to remove the biggest laugh in the play...but with a lot of good emotionally honest reasons for the journey of the play. And Scott and I will talk about these points - and we do have rehearsal, so we can look at it. Put it up infront of the audience in the afternoon and try something else in the evening.
It is growing. So - if you came tonight...feel free to come again.
I'm very happy with the work of all. And excited about tomorrow knowing that everyone wants to continue working.
Hope to see you all tomorrow at the presentation.

Goodnight,

Padraic

PERFORMANCE 1! 6/20/08

2008-06-20T21:15:00.003-04:00

A fantastic first performance. Everybody very pleased. The audience gave the show a standing ovation, and thunderous applause went on for over a minute after the actors had finished their bows.

Stage Manager notes: "Moments the audience really liked: the no hanger situation, Bo showing his boxers!!!, Mr. Jenkins going to hell, The Gloria Hattersfield story, The getting of the Cola, The Cola Push!!!, Gettsyburg, Cutlery!!!, The Wedding Fish!!!"

2 notes for the actors.
1 props note (a cola cap was on too tight - adjust for preset)
1 costume note (approval for the boxer shorts!)

Running time: 1 hour, 10 minutes.

If you saw this performance, PLEASE POST A COMMENT!

Day 13 - Wait, people are actually going to see this?

2008-06-20T01:26:00.004-04:00

Howdy,

In preparation of sharing the 'rehearsal' process with the public tomorrow and Saturday. We spent three hours 'teching' - really that means setting levels, and timing on sound cues - specifying the lighting cues. And for the first time when watching you start to question shit that never bothered you before - and wouldn't in a rehearsal. For example - they wear white, white nightgown, white t-shirt, white boxers...maybe the bed shouldn't be all white?
Getting the shout outs out of the way: In order for people to be able to see this forever Tom came and took pictures for us. Thank you for doing this. We're going to want to look at these pictures later. Trevor stopped by, confirmed some people are reading this blog - which is nice because yesterday, I actually wrote something smart. I hope to duplicate that later in this blog - if not smart, at least, honest.
Big ups to all designers - Lea, Martin, Betsy, and Sarah. Thanks Marieke, Nola, Scout, and Kpoe for being around - making sure all things ran smoothly. Lauren was not feeling well in the first half of the day and Becky stepped in admirably. Both were operating at full capacity by the run through in the evening. Carly, thanks - and Danny not enough appreciation can go to having an actual production meeting. Things are going smooth, remarkably so, I believe the absence of the need of the production meeting is caused by the fact that we were having a production meeting.
Okay...Big ups to all.
Here are the signs that people were suddenly aware we were going to have an audience tomorrow: Playwright totally questioning the performances during 'tech'. or questioning his writing during 'tech'. Or all of a sudden you, the director, is thinkin - I can't stop the run through when one of the actors completely lost their character behavior because the actors - and designers have to see how thier work is supporting the story in real time....oh bullshit everyone would go with it, I feel like we need to get through it, as rough as it is, so that the first time in front of the audience - isn't our first time through it. The purity of the experience - always shifts when you invite people in. Immediately the joy of process gets challenged by the awareness that others are only going to see this once...and you want them to see the best version of your work. Especially if the play only gets presented three times over two days. We want you to see the best play we can do...two days ago...we wanted to explore and grow as much as possible. It took ten minutes after the run through to clean up one tech moment - and for the actor to reexperience and own her or his character behavior. Not playing the obstacle - but the hope. Faith is restored. But it is important that an audience see the work because that is the most important part of the development. It can 'feel' good to us - but our obligation is to tell the story. And we want to tell the story to you. Hope you will all check out the play. Thanks to those who stopped by to check out our run through tonight.
Final big ups to David Jackson - keeping tabs on all that needs tabs kept on, and to Jessica for running it all smooth and getting two, three, nine things done when I'm focusing on one. Today ran wonderfully smooth.

Goodnight,

Padraic

Day 12 - Production management

2008-06-18T23:13:00.005-04:00

Howdy,

(Ticket selling moment) I got to see Eric in his underwear today. They fit perfect and Jamie D, and him in the world of the play in their white garments really feel right. I'm telling you that Scott Hudson sure knows how to write a crowd pleaser. yes, I hear we are sold out. Please don't let this prevent you from attending - tickets may be released. You might be able to get in...all the optomistic things I want to say because I want you to see the play. It is beautiful. Or come tomorrow at 7:30 and we'll do an open final run through. Big news we have Danny - a Production Manager, on the job a day and already our bed is sturdier, the position of the light board is clear, and the things we aren't sure about...we aren't sure about them because we've gotten the most informed answers of options that could happen with road boxes we are using for walls...and etc. But we also have good back up plans. I said there was a mystery prop person - and Dina Janis wanted to remind me it may have been Carly from Bennington. Carly designed the set at Bennington, and did a lovely job. We are grateful for her continued effort on the play. Thank you Carly. However, there are other mystery prop people that have been dropping off new things every day...and today we had another person bring more props...the support and help from every direction has been appreciated. Martin was in today...planning out the hinge for the 'rehearsal' trap door as well as cleaning up other presentation ideas. We are very close to getting ready. Sarah Sidman was in today...sharing her thoughts on presentation. But also, and this is what I love about designers, she gave me the first note on the text from anyone besides myself and Scott. I love the engagement and the challenge designers bring the process. As the actors, writers, stage managers, and directors don't stop working in the rehearsal room, either do the designers in the process. Tomorrow we will begin putting the elements together - in workshop manner, for sharing the process with the audience.
Today we worked some blocking at the top of the play. Tightening the action to word. And then we revisited certain moments - making it more and more specific. We talked about what I appreciate most about LAByrinth, and that is the fact that our play is very good. I'm not being cocky to say this...it is very good. But we are striving for great. And greatness is in the details - and Scott and I only care that the actors continue to strive for the specificness of the characters. The NEED that resides in the characters....and Jamie D. and Eric T. each day touch into that need a little more each time. We will get as close to it as we can...and the commitment is to try to get as close as we can with each attempt, and closer the next time.
Becky good to have you back. You are needed. Especially now that the cakes have arrived. Thank you Andrea.
David Jackson thank you for the support and the facts.
Lauren...ten pounds of rain. Thanks.
And last a note of process: There is a point, just before public presentation of a play, when the essence can get lost - the purity of the first experience, the innocence of the character drifts a little to one side or the other, and the characters are a little more mature than they were just a few days ago. That maturity, is the knowledge of the actors' experience - and in the coming days they have the challenge of forgetting what they know...and like you, the opportunity to experience this lovely play for the first time.
I look forward to seeing it with you this weekend.

Goodnight,

Padraic

Day 11 - never stop working

2008-06-17T21:59:00.003-04:00

Howdy,

I didn't know what to title this post. But that seems most appropriate. What I love about a workshop is that everyone contributes, even on what is not thier job. Jessica Felix, our stage manager - and someone who deserves a post all to her own, and someday that may happen but like the Secret Service stage managers don't take curtain calls. But they do everything else. Today - the new nightgowns arrived and they are perfect. Lea was right. They are better than what we had, but they needed a little sewing to tighten up the neckline a bit. Jessica had white thread and a needle and fixed them both for us during the rehearsal. Martin came in this morning and we got new hooks and rope for the play. It is looking very good - still rehearsal hall - but a great looking rehearsal room. Regarding sound - I tried to make a wind machine out of Ricolla container. I was not successful - apparently there is a true science involved. But the idea was there. Thankfully, we are keeping it simple Lauren is the rainmaker once again for this new spot. Finger nails on a metal bucket - sweet music to us all.
Andrea is getting us cakes for tomorrow. Becky too is back tomorrow - don't know if that is a coincidence or not - but we will be happy to see both of them at rehearsal.
Today was a day of very specific behavior work. Even deeper. It seemed a little frustrating at one point for the actors. Understandably so, because it is so close. Actually the work is very good but in the details is where greatness lies - and there are moments of greatness. I love working with Scott because - he is supportive of the work, and yet always pushing to make it better. In the journey of making it great, sometimes makes the play messier. But it was a good push today because yesterday was the last day off before being in front of an audience - and I've been thinking about the presentation a little. And the presentation is always better if the detail work, in production as well as acting, is being strived for. Regarding Matthew's question regarding the trap. We don't have one - we have a rehearsal stand in. It is fitting with the style of the presentation. Shout outs again to grandma Shirley, Jewdee, and Matthew Barbot. Thanks for reading and sharing feedback. Also forgot to mention on Sunday David Deblinger stopped by rehearsal and it was nice to have his eye on the process.
One quick plug for all those trying to get tickets - it may be sold out. So please try to buy now. If it is sold out - know that some tickets are held and will be let go. We hope you try to see the play, we will do our best to get as many in as possible. On that note - tomorrow's rehearsal at 3:30 is open - and so is the run on Thursday at 7:30. Please know that both start times are flexible due to rehearsal needs.
We look forward to seeing you this weekend.

Goodnight,

Padraic

Final Day Off - Checked out a well Developed play

2008-06-17T00:49:00.003-04:00

Howdy,

Holy crap is Hamlet in the park good. Well worth seeing for many reasons...the best is Michael Stuhlbarg's performance. Also, the grave digger scene has a trap door - an actual one. It was good to watch, it is the only moment I was thinking of Sweet Storm, during the captivating production. Back to the trap - we are simulating how it would be used, but the story telling elements of furniture coming out of the ground, and being thrown through it, and heads popping up, and the artistry of climbing out - we'll have to see how to incorporate that into the process.
Oh yeah - as well as to continue to shape the excellent performances.
And the sound - which we are going to try a few to be made live by Lauren, our new foley sound op. I hope I used that word properly. It's too late to google it.
Martin cleaned up the floor today - so our rehearsal taped out floor is more presentable. We hope the rest of the minimal needs will be there for the audience and tech on Thursday.
Andrea promises the cakes by tomorrow - we are looking forward to post show quality control of all that remains.
Tiger Woods is the greatest athlete in the world.
Congratulations Rocco Mediate!

Goodnight,

Padraic

Day ten - Our first Run Thru

2008-06-15T23:54:00.002-04:00

Howdy,

For the first run through off - book, the work was really good. And the line notes are minimal. The audience helped to elevate some moments. It also pointed out what needs to be shaped or cared for a little more for the audience. Dialect and speed of talking by Bo - has to be cared for. Next is making sure in a very steep house of the Anspacher they are lifting their heads as well as thier voices.
Martin, Marieke, and Betsy were at the run. Martin has very little cleaning up for the set - we really like the rehearsal room feeling. Betsy's challenge is to make help us find a couple of more organic rehearsal sounds for wind - and rain. We added one more today. The wind is next. The reason we aren't using recorded wind again is because for the workshop we don't have the best quality speakers - so wind doesn't necessarily read as anything but maybe static. And we're just using what we need for story telling.
Eagle Eye Becky is out of town for a couple of days. Look forward to seeing her on Sunday.
Lyssa got the final touches for the program - including special thanks. Thanks to all reading the blog.
Tomorrow is a day off for actors, final set work is being done. No building, just fixing the bed, cleaning up some rope - cleanign up the floor plan. Stuff like that.
Regarding development process it is now focused on getting presentation tight, and the emotional depth honest and full - in order to learn if the play is a complete journey and supports what is asked for by the actors. So far it does - beautifully.

btw - learned the play is selling very well. If you are planning on attending - please order tickets in advance. We'd hate for you to miss the play.

Goodnight,

Padraic

Day 9 - Need for audience

2008-06-14T23:42:00.002-04:00

Howdy,

The work is getting really specific, as P.A. Lauren notated - it can always get more specific. Right now it is living in a wonderful place of privacy - almost everytime the scene begins again, and the two actors begin acting, the Anspacher goes away, and the world of Sweet Storm emerges. It is lovely. There is part of us that would like to keep it that private but there is now a need to lift the play to a place of theatrical presentation - in the acting. Keep it private with an awareness that the audience needs to track the story. Tomorrow we will get an audience, of a sort, we are doing a run through for the designers. So the awareness of an outside world will be filled. Also, there is a desire for more production. Scott is starting to want more elements of the storm. Wind, Rain, and lights - we will figure out how to get it in there in a quality rehearsal room way. But that need is there because the play is ready to be lifted toward production.
One thing we do have is workshop costumes - and fashion eagle eye Becky is on it. She has an acute sense of how things should fit, is starting to think about how to coordinate things for cleaning between rehearsals and shows, and when Eric T. is in his rehearsal boxers (nike shorts), black socks, dress shoes, and dress shirt, she is there to okay his fashion forward outfit for standing outside the public on break. One more time, in honor of Tim Russert - don't forget, "If it's Sunday, it's Father's Day."

Looking forward to our first run through tomorrow.
Goodnight.

Padraic

Day 8 - Happy Birthday Scott

2008-06-13T23:25:00.004-04:00

Howdy,

It is Scott's birthday, and in his humble spirit we learned this at the end of rehearsal when he announced he was going to try and see The Hulk tonight. We wished him happy birthday - and thank him for the gift of the play.The mystery prop person returned with orange crates, mason jars, and a cool cooler. The gardenias are mixed in metal buckets from Bennington, lower oval shaped buckets, and mason jars - put on the floor, orange crates, and milk crates. The various shapes and sizes and heights of it, as suggested by Martin our set designer, really help to set the stage for ritual. It is perfect for the event about the happen. Also, we started using costumes today - all of the elements are supporting the work the actors are doing.
There was a lovely moment in rehearsal. Betsy and I agreed not to try and incorporate the sound of rain into the presentation of the work because we don't have the quality of equipment for the workshop to balance out the rain throughout the event. After the first read through we agreed we didn't need it. But there is one moment of silence where they break it by referring to the rain. Today - Lauren our P.A. who is operating the CD player for the sound in rehearsal, played, what I believe were her finger nails, on an upside down metal bucket to create the rain. It was perfect and simple. An ideal solution for the workshop.
Today was a lot of detail work with the actors. They keep meeting the challenge of getting more specific. Deeper connection to the ideas of faith, personal beliefs, and fears. They are doing it. Both of them. Jamie D. incorporated immediately the notes about polio from Jewdee.
There was a quote that put the workshop into perfect context. One of our P.A.'s writes in a journal every now and then during rehearsal. Today - I asked, 'what'd you write?' - "You can always get more specific."

I look forward to seeing you at the play - June 20th 8pm, Saturday June 21st at 2pm and 8pm but this weekend remember "If it's Sunday, it's Father's Day"

Goodnight

Padraic

Day Off again again

2008-06-12T22:39:00.002-04:00

Howdy,

Thank you Jewdee for answering all of the questions with great thoroughness and thoughtfulness. I forwarded them to Jamie D and look forward to incorporating them tomorrow at rehearsal. It was really very helpful. I am really glad you are part of this process and that Mr. Hudson got to share in the Barn Series process.
I love the idea of a day off, got the great email from Florida, talked with Lea who thought she could find a better option for one of the costumes - that anyone else working on a workshop would've called done last week, talked with Sarah Sidman while teaching a LAB Master Class at NYU with her and Andromache, spoke via voice mail and email with Jessica about next week's prep for production, and finished the night with detailed conversation with Scott about the next steps the script (maybe not text) but interpretation needs to take.
In that conversation we both agreed Judy Bowman, our casting director, needs a big shout out for finding Eric T. for us. She did a great job and is not to be forgotten as to how important that part of the process is. Casting 90% of directing Which is true when you get it right, when you don't you end up working 90% harder - not necessarily better. Thank you Judy - I hope to see you at the performance June 20th or 21st.
Okay - I got the time wrong for the second show - 2pm on Saturday the 21st. 2pm for the show the Penalties & Interest cast who will be coming then. If you get a chance, check out their blog. I'm a little jealous. They have gone high tech - they have video blogs. Video blogs - they may not write every day but it is impressive. I wonder how they do that - I hope some one will show us. Not to have me on the video, we're trying to keep people engaged in the process - but maybe we could get the very attractive and talented writer Scott Hudson's face on the blog. Hopefully they'll share the technological know how.
We have plenty of work to do in the upcoming rehearsals, but as promised - we are doing an open rehearsal. I don't know what we will be doing but the schedule is 10am to 2pm. Feel free to drop by - sit quietly in the back and then on a break make sure to say hi.
Went to see Isaac Hayes in Prospect Park tonight - for those of you who don't know him, as my friend Michael said, 'he's a bad mother, shut your mouth'. Happy Birthday Hideki Matsui!

Goodnight,

Padraic

Day 7 - Florida is well represented

2008-06-11T23:32:00.002-04:00

Howdy,

Hope you all read Lea's blog. It's two down. That was one introduction to Florida blogging and then a comment came in from an expert on Sweet Storm, and Scott - Jewdee from Florida. Thanks for the comment, at the end of this post I'll have a couple of questions for you from me and Jamie D. But first I have to say - we've worked through to the end of the play today. It has a lot of beautiful actions. But it also has some challenging emotional moments for the actors - challenging in the avoidance of 'how it seems it should be played' by first read vs. what is truly happening between these two people. It is a challenge to avoid the 'should' and Eric T. and Jamie D. meet that challenge beautifully. All they need is a little suggestion or reminder of another direction and they take it and run with it. The whole play brightens and goes beyond the simple story and becomes a rich experience of these two people on very critical night of thier relationship. As I said to David, assistant director, and he agreed '"It is a pleasure to work with these actors on this beautiful play". A pleasure because they are willing - and able to go where the play needs them to go. Also, everyone in the room was able to invest in a discussion of what is happening with Ruthie at the one point that Scott is looking for clarity in the script. Everyone - David, Lauren, Becky, Jamie, Eric, Scott - and myself all discussed the moment. Scott was able to articulate the moment with our first slight script change. It may change more, it may not - but the understanding of the moment is vey clear now to everyone. It was a great moment when rehearsal stopped for fifteen minutes while we figured it out. There are moments when the rehearsals feel like an acting class with acceptional young actors - but this fifteen minute dialogue reminded us why we were all there. To serve the play. Then we got back to freedom and fun of the relationship (ticket selling moment) with Eric T. and Jamie D, wrestling with chocolate frosting in the bed.
Fairy tales can come true, it can happen to you...
Back to the process...we got a great orange crate and transitor radio today. The details are very appreciated...don't know from where, or who they came from - she said she was from the Public and around, and then she was gone. Thank you masked prop woman, who ever you are. And thank you Andrea for agreeing to make us chocolate cakes for the run of the show. You are a kind, generous, talented person who will be thanked every night.
Our P.A. Lauren is very smart - she had an acute review of Penalties & Interest. She gave big ups to Yetta's performance...to hear any more details, I'll let her post them. Or after you go and see it post a comment here and I'll see if your thoughts agree with hers. But I was very impressed by her thoughtfullness on the show. Bodes well for University of Michigan.
Saw Jamie D's bf's band play tonight. They are very good - the rest of our gang couldn't go. Eric T. is in his last week of the Off Broadway play Betrayed, Becky is probably too young to get in, since they asked for my ID...and well the rest of them probably had to go home and root for the Yankees.
Day off tomorrow because of the Equity contract...Jamie D and Eric T are getting together on their own time to learn the rest of thier lines. They are doing very well. Again - Saturday's rehearsal is open, I'm going to say anytime...Noon to 5pm. We had a guest today, and it was lovely to share the process.
Okay Jewdee - thrilled you have the bug for SWEET STORM, sorry your other bug won't allow you to see the show this June - but your spirit and insight are greatly appreciated. Jamie and I have a couple of questions - many, but I'll limit them for now, and if you don't want to answer them, that is okay...Jamie is a lovely southern girl and wanted to make sure I said that. These questions are in no particular order but here goes:
How long after your diagnosis, or your illness settling in, did you get comfortable with - or have a sense of routine to your method of physical activities?
Is your breathing effected by very active times. Is there an advantage to being still?
If there is a paralysis in your legs - does it start above your hips? I believe Jamie is particularly interested in how it effects sitting and getting up from a lying down position.

Okay - now that I've written those questions: I agree with Jamie, answer any you are comfortable with - you can also email me directly at padraic@creationincommon.com. I will also see if we can get you a log on - so you can post yourself if you'd like.
The play is beautiful and it is an honor to be working on it. At first I was blogging with the intention of sharing the development process with those interested in theater. I am thrilled we can share the process with those who might not be able to get up to NYC on June 20th and 21st. Especially those in Florida.

Goodnight,

Padraic

Week Two - Stronger than ever

2008-06-11T03:27:00.003-04:00

Howdy,

Wow - thrilled to see someone else posted. Read the post from Lea below this one. It is brilliant, poetic, artistic - and again, I suggest you read it. Especially because this may be a long post. First off - the Yankees won tonight, which means - no more days off from rehearsal. Second, a sports metaphor for a theatrical workshop. I am going to run the Dublin marathon at the end of October. It is two days before my birthday and a fine excuse to go to Ireland. I expect to train 16 weeks for the marathon. Starting July 1. However, to be able to do that I have to be in good enough shape to start training. I have been committing the month of June to get my mileage up high enough so I can begin my training officially. That is what a workshop is for a play - to get in good enough shape that it is ready to go through a full fledge rehearsal and production process. Okay - enough sports talk for now.
Big shout out to jamie D's grandma Shirley. Thanks for reading - and to no surprise to you, Jamie D is doing an amazing job. Over the two days off I had a thought, informed by a conversation with Lea while she was in town, about Ruthie, jamie's character. I shared that idea about with Jamie today, and immediately she began applying it. It effected her work positively in more than the obvious ways. That is my favorite part of collaboration. Everyone working to make the play better. Everyone grew from the days off. Eric T. is doing great work too, and when he tells me his relatives are reading the blog I'll go into more detail.
Had a production meeting. it was productive. Learned we may will be able to focus some lights. We will get some support for props - and there was a discussion about how to work a taped out version of a trap door. I think we changed the groundplan today based on how the audience will view this rehearsal solution, maybe not the best for the long-term life of the play. But, hey, it will not alter how we tell the story or the value of the workshop. Just maybe a weakness of process vs. product. If we were going to actually fully realize the set - I don't think the change would've been made. Again, that is part of the value of the workshop - no changes are permanent. But the growth of the actors is - which is lovely.
Stop reading this and go to Lea's post - this will be here later:
I saw Penalties& Interests tonight. It is very funny. A great example of the development process. I hope all of you will see it more than once. Go early, go often. Ask Katie Flahive - she knew to go early. Actually just a way to acknowledge what a pleasure it was to see her tonight. Hope to see her and Josh at Sweet Storm. Okay, back to Penalties & Interests - The script is tight - direction solid, love the sound design by Betsy Rhodes - and the actors are genius. It is a very funny tight Beckettesque satire of the modern corporate existence. Our production assistant Lauren came with me. Maybe she'll blog tomorrow about what she thought. If not - I'll let you know. All of the artists involved talked about how hard the process was, or terrifying it is to be in front of an audience with only 11 rehearsals. No need for them to worry - yes the play will get tighter as it gets more performance and rehearsal time. But they are already in wonderful shape. However, those involved in the production can take solace in the fact that the show will perform in front of an audience more times than Sweet Storm will rehearse. And they are all invited to attend Saturday June 21st at 3pm. Then do your evening show - then go to Lexi's going away party in Queens. Then wake up and check out the Benefit Reading of the original cast of JESUS HOPPED THE A TRAIN - for more information on this go the lab's website. Hard to believe that play is ten years old - it also ran the same creative path of Sweet Storm: Intensive reading, barn series, showcase...hope someone will blog about the anniversary reading of Sweet Storm ten years from now.
Oh - always important to go out after a performance - had a brilliant design conversation with Sarah S at the E. 4th St. bar, called Stillwater - but will always be the E. 4th St. Bar to me. Not only were her ideas very good - but I love her concern and thoughtfulness regarding all aspects of the play and the process. I look forward to seeing her at rehearsals and talking during the process as I got to do with Lea this week, and hopefully will with Martin, and Betsy in the coming days.
Walked home over the Brooklyn Bridge with Charles. You're invited to join us for that anytime. Something to be experienced. As is Sweet Storm rehearsals, which you're invited to come to: We're opening up tomorrow (Wednesday) from 3 to 5pm - and Saturday from noon to 2pm. Just stop by, be quiet when you come in hang in back and if there is a break be sure to say hi.
Well that's more than enough tonight.
It would be incomplete to blog without mentioning how great it is to have Scott Hudson in town. He is feckin' great to work with. (Feckin' cuz I'm training for the Dublin Marathon)

Goodnight,

Padraic

Three Costumes in 36 hours

2008-06-11T02:10:00.004-04:00

Flight left Tampa 6:45am on Friday to NYC....

First fitting 1:30pm on Saturday....

Last Stitch on pants hem- 12:30pm on Sunday...

Flight back to Tampa 4:35pm on Monday.....

From start to finish the costume process seems to be fairly quick based on actual hours that it took, but to know who these people are- well I think I have been working on that for my lifetime.
When first reading the script, Sweet Storm, I was pleasantly surprised to see that it all takes place somewhat near my hometown. Tampa, Clearwater, Lithia Springs.....all places that I have taken into my conscienceness over the past 20 years of living here. Knowing the heat, knowing the storm, knowing the sweet smell of the summer air as it lingers through orange groves, walking the old cobbled streets of Tampa, cruising the beaches of Clearwater.......all this makes the picture of who Ruth and Bo are ever so clear in my mind.

Armed with mental notes, visual research and a sense of knowing I shopped my way through a variety of thrift stores, vintage stores, and yes even the modern department stores. I could see pieces of Ruth and Bo here and there. My job- to paste these fragments together so an audience, a director, a playwright and the actors can better know the who, what, when and why of this couple who stands before them on the stage.

Each detail, hopefully thought of- down to the clip earrings and the white crew socks to make a complete picture.

With any luck and speedy postal delivery, the actors should have their show costumes available to work in before the end of their second week of rehearsal. I am hoping this chance to live in the clothes and inhabit them as Ruth and Bo naturally would will prove to be helpful in the process of rehearsal and in the culmination of action and words.

Day Off again

2008-06-09T23:30:00.002-04:00

Howdy,

This is a lot of distance from a play. It is nice - get a real sense of perspective and priority. We are returning tomorrow to a production meeting. We have been communicating mainly through email, I'm sure the meeting will mostly entail agreement upon what has been discussed in email. What props are needed, how and when we'll get them, and what the final event of this 'rehearsal' presentation will look like. It always seem to take a greater effort to do very little well. The good news is we have very minimal resources - so, we will be utilizing what we have to its fullest potential.
I'm going to see Penalty and Interests tomorrow. I will probably go again during the run - I recommend all of you do the same. Part of their process will be truly evolving or developing during the process.
Glad to see Lauren, our production assistant from University of Michigan has logged on to blog. Hope she will post about her experience watching the play develop - you could post a comment requesting it. Then the designers, actors, Jessica - David, and even Scott will drop in to say how it's going. Or maybe Lauren can post about how the Lakers/Celtics aren't the same rivalry since the one time great Michigan alumn - has stopped playing. Not the same Michigan I know - but it some sort of state pride. Okay, enough blathering - next time I get two days off from a rehearsal process there has to be a playoff game of some sort on at night and the Yankees have to win their day game.
Goodnight,

Padraic

Day Off

2008-06-08T23:03:00.003-04:00

Howdy,

I don't know why I'm posting on the day off. But a good week on a beautiful play. I may have written on this before but there is a temptation because we are treating the presentation as "a viewing into the rehearsal process" to take the pressure off because, hey - you'll see that we get where we get to. But the pressure of a date to show work is important. We need a safe place to grow and explore and work on the play, but we also need the pressure of presentation to keep us focused and doing our best work. Hopefully, you'll all come, enjoy the play - but the most helpful is the get an honest response - and as much as we can do to make what you are responding to as full as possible - well that's our job.
That is what I'm focusing on - on the first day off. As well as taking of day of Brooklyn site seeing with Lea, and Jenn O'Byrne. Walked across the Brooklyn Bridge - got some good ice cream - looked at London (twice), rode the water taxi for the first time, watched kids bunji jump at the S. Street Seaport (available to anyone between 20 - 200lbs, I'm taking my nephews when they visit at the end of the month) ate sushi - and the Yankees won. All in all a perfect day.
Two things everyone needs to know: Sweet Storm performs at 8pm on Friday the 20th, and at 3pm and 8pm on Saturday the 21st. Lexi Croucher is having a going away party on the 21st. Lexi is going Upstate to Ithaca for school this summer - so the it may be hot here, but the city will definitly be a little less bright, so everyone who can go to her party - should. However, that means you have to plan on seeing Sweet Storm at one of the two other performances.
Penalties & Interests starts performances on Tuesday - and its only $10. It's new, funny, damn good, brilliant cast and creative team, and air conditioning - so that makes it the best deal in the city. Speaking of the value of new plays, a big shout out to Oskar, who is pictured in The Sunday Times Arts & Leisure Section today, promoting the opening of Hamlet at Shakespeare in the Park, wearing a "Theater Starts Here" Playwrights Center of Minneapolis T-shirt, supporting new plays - even when he is directing one of the best plays of the last millenium. So after you see Penalties & Interests - and before you check out Sweet Storm - give Hamlet another look. Can't hurt.

Goodnight,

Padraic

Day Five - Blocked and loaded

2008-06-07T22:56:00.002-04:00

Howdy,

We finished going through the final pages of putting it on its feet today. There is a tremendous amount of action at the top of the play, physical action, and the same is true at the end. It is interesting to see how the energy of the action has changed - a bedpan event at the top, is completely different than the one at the end. It is clear in the story telling that the character's point of view have changed.
Point of view was very strong today - especially when we went back to the top of the show and examined the expectations, and emotional state of each characters as we worked the first 6 pages. Not that it changed from table work, or first bit of blocking - it got more specific. I want to put a shout out to Scott Hudson, the play has a very specific emotional life for each character. Not surprising because Scott understands it as an actor but it is very much alive and specific in the play.
Also, want to thank Becky who assisted Lea on costume work today, everything is looking good and probably will be finished by the time we return to rehearsal on Tuesday and Lea heads back to Florida. She says she is going back for work but I believe she just wants to escape our crazy New York City summer heat.
Lauren took up the important role of sound operator for rehearsal. It is great having both of them there for support. I look forward to Sarah, Betsy, and Martin dropping by at any point. It has been a very open atmosphere so far, I hope to keep it going that way.
This is going to sound obvious - but when doing a workshop on a play, which is a critical step for the play's maturation, it is vital for the playwright to be there. Scott's input was so helpful in pushing me to get more specific with the actor's, and to clarify their relationship to the space. Simple things - but again the words, specific and deepening come to mind. Also, he got to hear the part of the play he is looking to address and got a better understanding of it from the actor/character point of view.
Now, in my day or two off - I am going to start to push toward the design elements, because as we confront the absence of a trap door, it is telling how the details of 1960 - ice box, transistor radio, all of it - help to inform the story. Again, Scott has truly cared for the details I look forward to honoring them so that he can see if it is serving the play in the way that he envisioned.
Okay - end of my blog for the week. I look forward to seeing what others post.
Thank you Scott, David, Eric T, Jamie D, Lea, Betsy, Martin, Kpoe, Peter D, Marieke, Jessica, Lauren, and Becky for an excellent first week.
Goodnight,

Padraic

Day four- Hope vs.Faith

2008-06-06T22:56:00.004-04:00

Howdy,

Lea is in town from Florida. Yeah. Great costume ideas. But mostly what is happening regarding technical elements really is the basics of practicality. There is the version of what is necessary for the audience to experience the story vs. what is functionally required for the ensemble to learn about the play. I'm truly enjoying the functionality of the workshop. But realize to benefit the play starting next week we need to start to include design elements, eg. orange crates, bedding, the right jars holding the flowers, all of it moving beyond functionality will inform the behavior of the actors.
Saw Betsy today - who is working on tech load in for Penalties and Interests - which I believe begins performances on the 10th. Anyone reading this should check that out. It is a very funny play.
It is fascinating, developmental theater on any level seems to not have enough support or resources to fully realize a show. Less may not always be more, but it is guaranteed that less is achievable.
We had two drive by's at rehearsal today. Marieke and Trevor. Lovely to have them there.
The play is revealing itself more and more. Today - it revealed the fear of hope, the pain of not getting what you want. And the need of faith, Faith, the belief in something in the absence of proof. I will write more and more on this, maybe, later during the process because I can't talk too intelligently about this tonight. But what I can say - is that the conflict of hope and faith in today's rehearsal illuminated the moment when this beautiful, Sweet Storm, may not succeed. The conflict was there in The Barn Series, but again the depth of a workshop helps to strengthen that moment. The strength of process and time for investigation allows for the characters to risk failure. Failure is what allows the play to surprise us, and to go to a place where the story has to be told. I believe all actors, directors, and writers risk failure and understand this in the process of a reading - but the willingness to risk failure tends to go hand in hand with the numbers of hours of rehearsal before being put in front of an audience of the public. Because the obligation is to tell the story of the play...make sure they get the story. In the workshop the obligation is to make the sure the play is aware of the story it is telling.
Okay, enough of this blathering, I'll have faith that it made sense, and I'll let go of the hope of sounding smart.
Also, David Jackson - was the one who recognized the true stakes of the event in the play today... the moment this perfect marriage was courageous enough to ask if it was over.
Oh, and thanks for reading the blog - I'll have an open rehearsal date for you tomorrow.

Goodnight,

Padraic

Day Three - Get Real

2008-06-05T21:49:00.002-04:00

Howdy,

It is incredibly valuable to do something for real. If it is in the play, always find the real way things are done and the play will be richer. My example is Ruthie has polio, what does that mean for her ability to use her muscles. Scott talked to us about that, and it is a challenge for Jamie but one that is worth confronting. The earlier the better. Because it is in this reality that the play lives. What inspired the blog about reality is the use of a bedpan and Bo's manipulation of Ruthie to make the event of her going 'wee' to happen. Once it was done for real - Bo was tired, and you believed an event had occurred, and the reality of the two characters being alone for the first time was now settling in. It helped ground the characters, as well as, the actors. The whole opening of the play is filled with those moments - Bo carrying Ruthie in over his shoulder, the bed pan, getting dressed - and the idea of getting into the actor (ticket seller right here) into their underwear for real in rehearsal definitely helps inform behavior.
We are also learning about limitations of not having something for real - the trap door for one. Because of the Equity contract we can't build the platform needed for the trapdoor. I don't understand Equity's reasoning for this - and will not pretend for a second that it is in the best interest in the development process. We are spending some time trying to create rehearsal techniques for the surprise of Bo opening the door, or descending or climbing out...the substitution isn't what's important, as what would the reality of the event do for or to the characters. It is something we are being conscious of - but if the door was there - we wouldn't have to be conscious of it because it would actually be happening, and maybe the value would be surprising us. That's the value of reality...it surprises us and deepens our understanding of the world.
So far we put the first 11 pages on its feet, and even got to do some work in the details. It seems to be going pretty well.
And a plug for workshop - and non-reality. The floor of the design is taped up, we realized the bed had to be at a different angle and to make that angle make sense witht he reality of the floor of the space - all that had to happen was to lift up some tape and to move it to another place. Very simple - left a message with Martin to talk about why - and await his reaction. However, I know that we can keep changing the groundplan, and furniture plan as long as want - because no actual building has to occur. This is a luxury that a workshop affords you. We will have learned what is required before every starting to build.
Metaphor for workshop:
Betsy rocks - she got us a rehearsal CD today. Now all we need is a CD player.

Goodnight,

Padraic

Day two - I rehearse therefore I am

2008-06-04T23:34:00.002-04:00

Howdy,

Today was the second day of rehearsal. I'll sum up day one: Brilliant.
The designers were brilliant, stage management brilliant, our P.A.'s Becky and Lauren - brilliant. Scott - nuff said.
The introduction to the depth of the play and what is about was lovely. Very glad that John Gould Rubin, Marieke, and Kpoe came down to start us off officially. There is tremendous enthusiasm for the play and the process. After much talking and enthusiasm around the play and process, we finally got to do what we were actually there to do. Read the play.
Eric T. Miller and Jamie D. Dunn - are brilliant. No joke. Thrilled that they are part of the development process of this play and they will be wonderful together but most of all I think they will bring to the play what Scott needs in order to make it as strong as possible. We read. And now for the important part of the process burriend in the blog - Scott and I went out, got a little falafal and talked about the text. We identified a section of the play he rewrote during the first reading at the intensive and talked about how it needs to get more specific. I won't mention what part, because hopefully you'll come to see the play and not be waiting for it, you'll just see a lovely smooth fully realized text that needs to be produced in every theater and university across this great land of out. Okay, it was great to really get to revisit the text and identify the parts that he is most interested in looking at. Because it is a development project - it is for that purpose.
Day two:
Read thru sections, discussed, reread - got a better, deeper understanding of how the play works. Oh, and finding how the honesty of the play helps with the humor. That seems to be best discovery so far. Also, it turns out we have now rehearsed as much as we did for the Barn Series and already the play has revealed itself to be deeper and more specific than it was a year and half ago. Plays take time to reveal themselves - it is a joy to have this time.
Tomorrow we start on our feet.
Okay - here is my test if anyone is reading this blog, we are considering opening up rehearsals starting next week. If you are interested in dropping in on the process let me know by posting a comment. We might run a section at the end of rehearsal or something, but since the final 'product' of this workshop is to present a rehearsal - we thought maybe we'd present a bunch of rehearsals. So comment, let us know if you want to check it out.
This blog is very long considering I thought I had little to say - but I will report that: David Jackson, asst. director found great research on polio today, Eric T. has been reading his bible - good for the preacher man, kpoe taught us how to make the rehearsal coffee (praise the lord) - Lauren and Becky are on it, they also got props from the office today for us - thanks to them, and Bennington. Jessica Felix is the best. And Lea our costume designer said she might blog after she comes this weekend from Florida. Point of interest - she lives 20 minutes from the where the play takes place. Okay, that's a point of interest to me, but she does get to tell me about the landscape and the trees that the play would take place in, if we had a tree - I get to tell her about the rehearsals it is taking place in. Which is a fun even exchange.

Goodnight,

Padraic

Pre - First Day

2008-06-03T10:22:00.002-04:00

Howdy,

Okay, the first day of rehearsal is this afternoon. Yesterday at the going away for Lexi Croucher I got to see Scott Hudson, in person for the first time in months. It got me very excited for rehearsal. At some point there will be a blog posting about the limitations of a development workshop of a play - or maybe that element will be woven into all of the posts. But all of the limitations went away when I saw him walking toward me in the park and was reminded that ultimately what a pleasure it is to work on a new play, and how exciting it is to direct someone's first play.
Had a great conversation with Betsy about sound and how to confront the complexities of a hurricane inside the environment of a workshop - and how to address the needs of the play with minimal technical support. We will probably have a very specific beginning with many layers of sound to establish place and situation - and then the storm will only be present as needed for the story. Because of the limitations of the equipment, it is better to have key elements instead of having a lot elements that sound like 'ass' - is how I look at it.
Martin has an exciting set - ground plan for the process. I talked with Lea this morning - and Sarah and I are talking during first break.
Well its off the rehearsal - two things I wanted to say when I started this blog today: I hope the actors will post blogs about their experience. I talked with Julian who plays "Dick" in Penalties & Interests and his blog postings are brilliant. Chech those out if you can. The other thing I wanted to remind myself is that SWEET STORM is a beautiful and important play and to remember to take the same risk in addressing the vulnerability that it required for two people to come together and to possibly understand what it is to experience the love of another.

Talk with after rehearsal.

Padraic

Pre-production Meeting

2008-05-29T18:07:00.002-04:00

Howdy,

Okay, haven't blogged since The Dirty Talk, but I will try to keep this up during the process and I hope it is interesting. Had three conversations today about the play and realized a couple of things that might be of value to anyone tracking the development of the play. The most important thing that came up during a conversation with Cusi Cram about actor's becoming writers, and that is that Scott has done a wonderful job creating a poetic environment for a very honest conversation about faith and love to take place. Without going on about the beauty of the play, the thing that struck me is the great detail Scott took in the technical theatrical elements used to tell the story, i.e. props, lights, sound, set, costumes...well those are all the elements. The other care he took is the biblical references that are in the play and how these characters use them effectively to communicate intention, emotional state, and journey.
I also had a pre-production meeting with Jessica Felix, our excellent stage manager, in it we talked about how the Equity contract limits the technical elements we are allowed to use - this is closely defined as a 'workshop' production, so we are talking about the best way to effectively communicate the theatrical elements Scott's play needs to best illustrate the beauty and depth that reside in the story. Martin Andrew, set designer, and I have come up with some solutions for this - but mostly what we decided is to treat this process like a full fledged rehearsal process - and all solutions we come up for the rehearsal to solving the problems will probably be what present to the audience. So, as this blog will hopefully invite you into the process - the final presentation itself at The Public will be inviting you into the process by truly presenting a rehearsal room run of the play. Which is very exciting because June 20 & 21st is hopefully only the beginning of the long healthy life of Sweet Storm.

Padraic

Designers working on this show - Lea Umberger - costume designer, Sarah Sidman - lighting designer, and Betsy Rhodes - sound designer all from THE DIRTY TALK, and I'm excited to be working with Jessica Felix Stage Manager, Martin Andrew - set designer, and actors Jamie Dunn and Eric T. Miller.